Pixel and the pilgrims revisited #2
Year: 2024
Material/Technique: Panel, Paper, Collage, Mixed Media, Others, Acrylic, Ink, Silk Screen, Paint
Size: 53 × 45.5 × 2 cm
Edition: Unique
Signed:Included










About the Work
- Year
- 2024
- Material/Technique
- Panel, Paper, Collage, Mixed Media, Others, Acrylic, Ink, Silk Screen, Paint
- Size
- 53 × 45.5 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Category
- Painting
- Style
- Pop Art, Portrait, Half Abstraction, Everyday, Conceptual, Emotional, Society / Politics / History, Others, Japanese Painting / Japanese Style, Asia
Work Details
Pixel and the pilgrims revisited #2
Materials and techniques
Collage of receipts, beeswax, paraffin, toner ink, and dammars resin on wooden panel
Production year
2024
concept
We see what we want to see and believe what we want to believe. What was seen in the distance is not true.
One day, there was a couple at the movie theater. While buying popcorn, the couple is talking about keeping a movie ticket stub as a memory. However, I threw away the popcorn receipt I received. Why do they keep movie stubs and throw away the receipt they bought the popcorn for? Even though the incident where I bought popcorn is one page of an important date. I thought I could add new value to those receipts and recycle my memories. Receipts may be filled with memories that you take for granted and forget. I think this image of someone's piled up time and logs is making society difficult.
Receipts are materials that cannot be recycled. Nationwide, about 54,000 tons of receipts are consumed per year. It is equivalent to 13.5 billion sheets of A4 size copy paper, and it also affects water pollution and deforestation. Isn't this proof that both resources and memory have been messed up? and it makes me feel frustrated.
Receipts collected from all over Japan were used, and collages were applied with unique materials to prevent deterioration. The intention is that some day our life logs will remain as cultural materials decades after we run out of receipts.
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Artist
アーティスト
2022年東京藝術大学美術学部先端芸術表現科卒業。日常的で記憶に残らないような時間や消費行動を「時間のささくれ」とし、情報社会に生きる自身と他者との関わりや「個」としての在り方など、時間に纏わる言語を考察しながら制作をしている。
日本全国からレシートを集め、2015年からアイロンとレシートを使ったライブアートパフォーマンスを開始。熱を与えると変色する感熱紙の特徴を生かし、熱でドローイングする。ほか、壁画、油画、インスタレーション、グラフィックデザインなど、活動は多岐にわたる。
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