竹木佐里陽
製作年份: 2025
材料或技法: 日本紙, 墨水
尺寸: 71.6 × 36.6 cm
版本: 獨特
簽名:包括




關於作品
- 製作年份
- 2025
- 材料或技法
- 日本紙, 墨水
- 尺寸
- 71.6 × 36.6 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 包括
- 作品證書
- 包括
- 藝術品經銷商
- Misaki Hanazuka
- 發貨區域
- 神奈川縣
- 發送前的天數
- 大約兩週
- 類別
- 繪畫
- 風格
- 半抽象, 情緒化的, 靜物, 日本畫/和, 極簡主義, 亞洲
作品詳情
陽光照射入竹林,疊在屏幕上的單一竹子上。即使你孤獨,只要你生活在這個世界裡,一個人基本上是不可能的。它顯示了這樣的東西。
竹子是空心的。它是一種具有輕度和靈活性優異的結構的植物,象徵著「只因為空而堅強」的基本哲學。
日本紙上的墨水和膠水
觀賞擺飾在房間裡的樣子
購買方式
這件作品可供購買。
USD 758
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藝術家
Ink painter
Born in 1982 in Gifu. Graduated from Tokyo Gakugei University, Art and Culture Course, Department of Fine Arts. He studied under Tsuchiya Akitsune and learned classical techniques following the style of Maruyama Osamu. Based on her work experience as a yoga instructor, she develops productions that connect physical knowledge with ink painting expression.“Possibility” is something latent in the world before every phenomenon is determined into a single form, and the body leads that possibility to a phenomenon. This is the premise of my production. Familiar with dance as physical expression, I discovered yoga by following the essence of movement. Look at the myriad relationships with nature, others, land, time, and culture in the origin of breathing, center of gravity, and movement, and find a place of possibility in that constantly changing nature. The materials ink and Japanese paper clearly reflect the trajectory of such a body. Unconscious movement is applied to the line emitted with will, responding to the independent nature of the material, and it opens up into a phenomenon that exceeds one's own intentions. I paint paintings as traces of that. For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons. The body is re-captured as a place that responds to the world, and continues to question the relationship between people and the world through production. I hope it will be an entrance for viewers to discover the possibilities that are filled at that moment. There is always “sky (sky)” at the root of activities. Realizing the potential of that feeling, which originally existed as a sense of emptiness, was a major turning point for me. Nothing means there is everything. It means it's full of possibilities.
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