陽光向日葵
製作年份: 2025
材料或技法: 日本紙, 墨水
尺寸: 118.5 × 28 cm
版本: 獨特
簽名:包括




關於作品
- 製作年份
- 2025
- 材料或技法
- 日本紙, 墨水
- 尺寸
- 118.5 × 28 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 包括
- 作品證書
- 包括
- 藝術品經銷商
- Misaki Hanazuka
- 發貨區域
- 神奈川縣
- 發送前的天數
- 大概一周
- 類別
- 繪畫
- 風格
- 靜物, 日本畫/和, 極簡主義
作品詳情
向日葵接受了所有陽光的向世界注入了這種光線。
我畫了一張向日葵沐浴在陽光中,充滿了那種光線的圖片。以黑白表達的陰影的外觀支持光線的現實。
對於談論水墨畫而言至關重要的邊緣是用舊的顏色染色,顯示了永恆的時光。
日本紙上的墨水,咖啡和腳手架
觀賞擺飾在房間裡的樣子
購買方式
這件作品可供購買。
USD 757
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藝術家
Ink painter
Born in 1982 in Gifu. Graduated from Tokyo Gakugei University, Art and Culture Course, Department of Fine Arts. He studied under Tsuchiya Akitsune and learned classical techniques following the style of Maruyama Osamu. Based on her work experience as a yoga instructor, she develops productions that connect physical knowledge with ink painting expression.“Possibility” is something latent in the world before every phenomenon is determined into a single form, and the body leads that possibility to a phenomenon. This is the premise of my production. Familiar with dance as physical expression, I discovered yoga by following the essence of movement. Look at the myriad relationships with nature, others, land, time, and culture in the origin of breathing, center of gravity, and movement, and find a place of possibility in that constantly changing nature. The materials ink and Japanese paper clearly reflect the trajectory of such a body. Unconscious movement is applied to the line emitted with will, responding to the independent nature of the material, and it opens up into a phenomenon that exceeds one's own intentions. I paint paintings as traces of that. For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons. The body is re-captured as a place that responds to the world, and continues to question the relationship between people and the world through production. I hope it will be an entrance for viewers to discover the possibilities that are filled at that moment. There is always “sky (sky)” at the root of activities. Realizing the potential of that feeling, which originally existed as a sense of emptiness, was a major turning point for me. Nothing means there is everything. It means it's full of possibilities.
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