展開
製作年份: 2026
材料或技法: 日本紙, 墨水, 金葉子, 顏料
尺寸: 105 × 32 cm
版本: 獨特
簽名:包括




關於作品
- 製作年份
- 2026
- 材料或技法
- 日本紙, 墨水, 金葉子, 顏料
- 尺寸
- 105 × 32 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 包括
- 作品證書
- 包括
- 藝術品經銷商
- Misaki Hanazuka
- 發貨區域
- 神奈川縣
- 發送前的天數
- 応相談
- 類別
- 繪畫
- 風格
- 靜物, 日本畫/和, 極簡主義
作品詳情
我繪製了一個從身體開始和呼吸的「螺旋線」。螺旋線是身體中固有的結構,它也是在運動過程中可以感受到的運動軌跡。這種感覺以單一形式放在紙上,並創造墨水浸入日本紙中的部分,以及不滲入日本紙的部分。透過使用墨水進一步將形狀複製到另一張紙張上,墨水的陰影和漏水會擴大,並產生超出意圖的變化。從身體產生的形狀在反應物質的獨立性同時發展。這是一件作品,將繪畫看不是形式的決定,而是形狀繼續誕生的機會。
日本紙上的墨水,面顏色,金粘土和腳手架
購買方式
這件作品可供購買。
USD 448
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藝術家
Ink painter
Born in 1982 in Gifu. Graduated from Tokyo Gakugei University, Art and Culture Course, Department of Fine Arts. He studied under Tsuchiya Akitsune and learned classical techniques following the style of Maruyama Osamu. Based on her work experience as a yoga instructor, she develops productions that connect physical knowledge with ink painting expression.“Possibility” is something latent in the world before every phenomenon is determined into a single form, and the body leads that possibility to a phenomenon. This is the premise of my production. Familiar with dance as physical expression, I discovered yoga by following the essence of movement. Look at the myriad relationships with nature, others, land, time, and culture in the origin of breathing, center of gravity, and movement, and find a place of possibility in that constantly changing nature. The materials ink and Japanese paper clearly reflect the trajectory of such a body. Unconscious movement is applied to the line emitted with will, responding to the independent nature of the material, and it opens up into a phenomenon that exceeds one's own intentions. I paint paintings as traces of that. For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons. The body is re-captured as a place that responds to the world, and continues to question the relationship between people and the world through production. I hope it will be an entrance for viewers to discover the possibilities that are filled at that moment. There is always “sky (sky)” at the root of activities. Realizing the potential of that feeling, which originally existed as a sense of emptiness, was a major turning point for me. Nothing means there is everything. It means it's full of possibilities.
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