香住櫻
製作年份: 2025
材料或技法: 日本紙, 墨水, 其他的
尺寸: 69.5 × 129.5 cm
版本: 獨特
簽名:包括








關於作品
- 製作年份
- 2025
- 材料或技法
- 日本紙, 墨水, 其他的
- 尺寸
- 69.5 × 129.5 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 包括
- 作品證書
- 包括
- 藝術品經銷商
- Misaki Hanazuka
- 發貨區域
- 神奈川縣
- 發送前的天數
- 2-3天
- 類別
- 繪畫
- 風格
- 半抽象, 靜物, 日本畫/和, 情緒化的, 極簡主義, 亞洲
作品詳情
一支大的櫻花樹枝,喚起記憶的顏色
以單色繪製的櫻花與觀眾記憶中的色彩相關聯,旨在獲得包含體驗的欣賞體驗。
日本紙、日本墨水、豆沙、香料茶
在我的家鄉岐阜,江戶東阪櫻(宇泉櫻)是一棵著名的江戶東阪櫻樹,歷史超過 1500 年的時候,我一直聽到墨水和櫻花的聲音,自從不記得起來。用墨水繪製櫻花對我來說是一個特別的圖案,甚至我從一開始就感覺它在我心裡,但我認為包括春天結束和開始的季節盛開的櫻花的出現,講述了每個人仰望的人的故事。
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藝術家
Ink painter
Born in 1982 in Gifu. Graduated from Tokyo Gakugei University, Art and Culture Course, Department of Fine Arts. He studied under Tsuchiya Akitsune and learned classical techniques following the style of Maruyama Osamu. Based on her work experience as a yoga instructor, she develops productions that connect physical knowledge with ink painting expression.“Possibility” is something latent in the world before every phenomenon is determined into a single form, and the body leads that possibility to a phenomenon. This is the premise of my production. Familiar with dance as physical expression, I discovered yoga by following the essence of movement. Look at the myriad relationships with nature, others, land, time, and culture in the origin of breathing, center of gravity, and movement, and find a place of possibility in that constantly changing nature. The materials ink and Japanese paper clearly reflect the trajectory of such a body. Unconscious movement is applied to the line emitted with will, responding to the independent nature of the material, and it opens up into a phenomenon that exceeds one's own intentions. I paint paintings as traces of that. For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons. The body is re-captured as a place that responds to the world, and continues to question the relationship between people and the world through production. I hope it will be an entrance for viewers to discover the possibilities that are filled at that moment. There is always “sky (sky)” at the root of activities. Realizing the potential of that feeling, which originally existed as a sense of emptiness, was a major turning point for me. Nothing means there is everything. It means it's full of possibilities.
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