關於作品
- 製作年份
- 2025
- 材料或技法
- 圖片/視頻, 其他的
- 尺寸
- 21 × 15.5 × 14 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 製作人員名單
- ©︎Yuriko Iyanaga, Photo by Haruka Oka, Courtesy of Art Rhizome KYOTO
- 畫框
- 沒有設定
- 作品證書
- 沒有設定
- 類別
- 混合媒體
作品詳情
Video (9:07), 1.3 inch monitor, Raspberry Pi, bottle, synthetic leather, vinyl sheet, throwing ring, straw, wire, cable tie
Iyanaga has been painting on the computer since her childhood. Placing a focus on digital-specific characteristics such as pixels or lack of texture, she explores expressions that add an aspect of time to paintings by making the painting process visual. The concept of completion becomes ambiguous through looping. Recently she puts a focus on the materiality of circuit boards or monitors themselves, expanding her field to collages with different materials and installations.
Testimonial
Iyanaga participated in AFK in 2022; it seems that in these few years, her artistic practice has achieved new expansions at an immense pace, whilst inheriting her central subject of the unique fusion of digital and analogue. As a personal opinion, the increase in scalability can be raised as one of these expansions. Around 2022, Iyanaga’s artwork could mostly be categorised as either large or small; recently it feels as if her work has an embedded structure where the small constitutes the large in a way that is not simple addition. I am excited to see what kind of present location she will show to us this time.
（Public／Selection Committee Hiroki Yamamoto）
展覽資訊
- 過去的展覽
- ARTISTS' FAIR KYOTO 20262026.02.21 - 03.01
藝術家
Artist
Born in 1991, in Kyoto
Completed the Kyoto City University of Art Master's Program in Oil Painting in 2018
幼少期よりコンピューターで絵を描く。ピクセルや質感のなさといったデジタル特有の性質に着目し、描画過程の可視化によって絵に時間性をもたらす表現を探求。完成という概念をループで曖昧にする。また近年は電子基板やモニターそのものの物質性にも着目し、他素材とのコラージュ、インスタレーションへと展開している。
Iyanaga has been painting on the computer since her childhood. Placing a focus on digital-specific characteristics such as pixels or lack of texture, she explores expressions that add an aspect of time to paintings by making the painting process visual. The concept of completion becomes ambiguous through looping. Recently she puts a focus on the materiality of circuit boards or monitors themselves, expanding her field to collages with different materials and installations.