stakes on the water 2
制作年份: 2001
材料或技法: 丙烯酸纤维, 控制板
尺寸: 30 × 20 × 2.5 cm
版本: 独特
签名:包括






关于作品
- 制作年份
- 2001
- 材料或技法
- 丙烯酸纤维, 控制板
- 尺寸
- 30 × 20 × 2.5 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- ©︎Hideaki Fujimoto
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- Hideaki Fujimoto
- 发货区域
- 冲绳县
- 发送前的天数
- 大约两周
- 类别
- 绘画
- 风格
- 半抽象, 几何学, 数字的, 极简主义
作品详情
Until now, the “Water Pile”/“Pile” series has been stored and installed at various delivery destinations because it is easy to fit regardless of the style of space, such as public or private, Japanese or Western.
Also, the screen configuration experience gained in these series was very useful for working on vertical structures and landscape paintings with various other structures thereafter, which was significant for the artist.
The panel to be used is glued on both sides. Ground paint all over the screen, sides, and back. The same color as the background color of the screen has also been applied over the sides.
On the screen, after preparation using undercoating and scraping to crush the wood grain, 20 or more layers of paint are applied as depictions, including parts and solids. Then, while pouring water, grinding with water-resistant sandpaper is repeated until the finished screen is found.
The slit on the back of the work is a ventilation duct within the panel, but pins and hooks can also be hooked during installation.
Also, since it is a smooth machined matière, the work can be wiped clean with a dish towel or the like.
The method of drawing a picture surface by laminating and grinding acrylic paint is no different from the non-target free painting “Layers of Color,” so the matière and sense of color development are consistent even in the works in this series.
To make the most of “multi-layered magic,” one of the characteristics of painting.
A scene that can only exist with paint on a support.
I found a method in 1999 that met my desires from the time I had aspired to create, and I am pursuing the possibilities of painting.
Global Business Hub Tokyo [Tokyo/ Otemachi] Exhibition period: 2023/11/1 to 2024/4/30
(*Since it has finished, this work has been returned to the author.)
The Chain Museum is in charge of art curation within the rental office “Global Business Hub Tokyo” (Otemachi, Tokyo) for cutting-edge domestic and international ventures operated by Mitsubishi Estate Co., Ltd. Works by multiple artists have been installed on the themes of “connection/exchange,” “co-creation,” and “multiple perspectives,” including this work.
The contrast between transition and immutability makes time itself a painting.
2 weeks
The work is like a vehicle that conveys the viewer's sensibility. We hope you enjoy your favorite trip in the world of color, shape, and matière.
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 245
*显示的为汇率换算的参考价格。结算将以日元进行。
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艺术家
painter
Painting as a phenomenon.
We are exploring the possibilities of painting using a method of generating a screen by laminating and grinding acrylic paint.
There are variations in screen styles, from those with objects to those without objects, and all works have common colors and mattieres.
Born in Hyogo. He has lived in Okinawa since 1997. Until now, he has presented his works at solo and group exhibitions inside and outside the prefecture.



















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