Layers of Color 2203

制作年份: 2022

材料或技法: 丙烯酸纤维, 帆布

尺寸: 16.2 × 23.2 × 2.4 cm

版本: 独特

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USD 213

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Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203

关于作品

制作年份
2022
材料或技法
丙烯酸纤维, 帆布
尺寸
16.2 × 23.2 × 2.4 cm
版本
独特
签名
包括
制作人员名单
©︎Hideaki Fujimoto
画框
不包含
作品证书
包括
艺术品分销商
Hideaki Fujimoto
发货区域
冲绳县
发送前的天数
大约两周
类别
绘画
风格
抽象的

作品详情

Layers of Color 2203

Layers of Color series = non-figurative, spontaneous, phenomenal

The “Layers of Color” series, which began in 2015, is freed from the structure of figurative motifs, and pursues paintings that are pure visual phenomena.

This is the 3rd piece in 2022 and the 55th in the entire series.

The basic method for this series is to determine a screen (including orientation) that seems to be complete by laminating and grinding acrylic paint from a place where there is no clear theme, message, motif, or plan. While taking advantage of the interesting details that occur by accident, it leads to a single image as a pure visual phenomenon on canvas.

This work is thumbhole-sized and is the smallest work in this series, but regardless of size, each work in this series is independent with its own unique vision. This “2203” is also one completed painting.

The canvas is prepared with careful ground coating on both the front and back, and then placed on a temporary board. Apply 20 or more layers of paint on the screen side, including parts and solids. Then, the screen is built while grinding with water-resistant sandpaper while pouring water on it. It is made on a temporary board, and after completion, it is cleaned and dried, then placed on a wooden frame to complete. Since the screen has been scraped out, it is smooth, and can also be wiped clean with a dish towel or the like.

To make the most of “multi-layered magic,” one of the characteristics of painting.

From the time I set out to create, I found a method in line with my desires in 1999. Since then, we have been pursuing the possibilities of painting with a consistent technique called “laminating and grinding acrylic paint” with matières.

*The purchaser will be given a string attached to the back of the work and the wall side mounting hardware is enclosed.

Production Time

2 weeks

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SHOWCASE by ArtSticker
2025.01.28 - 02.15

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Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203

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这件作品可供购买。

ArtSticker
限定贩售

USD 213

*显示的为汇率换算的参考价格。结算将以日元进行。

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艺术家

Hideaki Fujimoto
✔︎

Painting as PhenomenonHideaki Fujimoto explores the possibilities of painting through a method that builds up the picture surface by layering and grinding acrylic paint. His compositions range from the representational to the non-representational, yet all share a common quality of color and matière.Born in Akashi, Hyogo Prefecture, Fujimoto developed an early fascination with vehicles and machinery that grew into a longing to "make things." This led him to AKASHI National College of Technology, where he studied mechanical engineering; his graduation research examined the wear of NBC cutting tools in metal processing, and the textures and imagery of metal he observed under an electron microscope during that research continue to inform his work today.While still a student, he grew increasingly drawn to design and graphic art, and decided to change course, transferring to the Department of Industrial Design (now the Department of Design Engineering), School of Engineering, Chiba University, where he studied design more broadly. For his graduation project, he worked in a fine art research laboratory, producing paintings.After graduating, he worked at a design office and gained other professional experience before once again deciding to pursue painting. He enrolled in the Department of Oil Painting at Musashino Art School, spending two years relearning the fundamentals of painting and completing the program in March 1997. He moved to Naha, Okinawa immediately afterward, and has been based there, continuing his practice, ever since.Having long been drawn to painting's layered structure, uniqueness, and physicality, Fujimoto arrived in 1999 at his signature technique: building the picture surface by layering acrylic paint and grinding it down with sandpaper. Since then, while continuing to explore a range of visual styles, he has consistently pursued what he calls the "layered magic" hidden within painting.In recent years, he has also actively presented and sold his work online, including through e-commerce platforms and art subscription services.

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最后更新日期
2025.01.17
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