Fantôm
制作年份: 2022
材料或技法: 控制板, 颜料, 混合媒体, 笔, 矿物颜料, 彩色铅笔, 金叶子, 蜡
尺寸: 145.5 × 89.4 cm
版本: 独特
签名:包括



关于作品
- 制作年份
- 2022
- 材料或技法
- 控制板, 颜料, 混合媒体, 笔, 矿物颜料, 彩色铅笔, 金叶子, 蜡
- 尺寸
- 145.5 × 89.4 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- Photo: 永井文仁 © COMITÉ COLBERT JAPAN 、東京藝術大学
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- 春田紗良
- 发货区域
- 爱知县
- 发送前的天数
- 没有设置
- 类别
- 绘画
作品详情
This work, which was created in the wake of my grandfather's death, was a research result of considering land and spirits (dead people).
Memories of many dead people are piled up on any land, and they are used as energy to capture the living. It can be said that we live on the dead. In particular, in land with characteristic topography such as mountains and valleys, the flow of energy can be clearly felt by living people, and the flowing power can be perceived as spirits. I grew up in the mountains, but I often felt the same energy flow in Shibuya, and I associated it with memories of the spirits of the land swirling at the bottom of the valley.
In this work, I'm drawing images of Japanese land connected to my grandfather's death as plants, and I'm trying to depict spirits (dead), which are phenomena that transcend human intelligence by inviting chance during the production process.
In the production process, they imitated events in the natural world so that an accidental phenomenon would occur from the beginning. It was designed so that a phenomenon unintended by the author would occur in the early stages of drawing. Specifically, they waited for the phenomenon to appear by dripping or scattering pigments, and drew according to the image that emerged. The traces that appeared strangely on the surface looked like lumps of rocks, moss, and plants, so I was only good to “shape” them.
*The round panel “FantômⅡ” on the right is not for sale.
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