Layer No.1
Year: 2024
Material/Technique: Canvas, Acrylic, Mixed Media
Size: 45.5 × 38 × 3 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2024
- Material/Technique
- Canvas, Acrylic, Mixed Media
- Size
- 45.5 × 38 × 3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Fuji Risako
- Ship-from Area
- 関東
- Days Until Dispatch
- 4-7 Days
- Category
- Painting
- Style
- Abstract
Work Details
It contains the intention of taking the accumulation of the past as steps and meeting limitless possibilities for the future.
This work was inspired by stratigraphy. By drawing a natural archive that has engraved the Earth's long history, I feel that we are engraved in the history of the Earth, and I hope that events for the future will be created with our own intentions and creativity.
In contrast to the fact that strata are formed by natural flow, art (each person has different interpretations of life, work, home, way of life, etc.) is created by our will and creativity.
A step towards carving a new future based on accumulation.
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This artwork can no longer be purchased.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artists
I paint beautiful nature that feels as if time has stopped.
By superimposing nature and us
We find meaning in being here and now
Time is limited and extremely valuable, and I think it's something that won't increase even if you want to increase it.
I noticed that when I looked at nature based on such thoughts, I felt as if time had stopped.
I started making this work because I wanted to express this strange feeling.
One question came to mind while I was proceeding with the production of the work.
Why do we feel that beautiful nature is beautiful?
Nature itself did not change its appearance or shape so that it felt beautiful when reflected in the human eye,
I thought everything was a result of coincidental overlap.
And that beauty is only possible when we have been programmed to feel that nature is beautiful.
Both nature and us were created by coincidental overlap.
By touching the work, I think we can discover the mystery and significance of the fact that we are here and now.
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