Strawberry Fields
Year: 2009
Material/Technique: Acrylic, Panel
Size: 80.6 × 60.7 × 2.4 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 1,561
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.








About the Work
- Year
- 2009
- Material/Technique
- Acrylic, Panel
- Size
- 80.6 × 60.7 × 2.4 cm
- Edition
- Unique
- Signed
- Included
- Credits
- ©︎Hideaki Fujimoto
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Hideaki Fujimoto
- Ship-from Area
- Okinawa Prefecture
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Half Abstraction, Fantasy, Animal, Emotional, Romantic, Others, Digital
Work Details
Landscape paintings that express “pain” and “time”
“Fujimoto Hideaki Exhibition”
Gallery Yamaki Fine Art (Kobe)
2010/08/28 (Sat) - 2010/09/10 (Fri)
*This work is on the far left of the image.
(Release URL from gallery)
Walking toward hope while experiencing suffering and pain in life
Like other Fujimoto's works, it is created by “laminating and grinding acrylic paint.”
The color and matière unique to this method can be obtained.
The production flow is to create full-scale line drawings on tracing paper separate from the screen. Then, I plan the layer structure of the colors to be applied over and over, but I choose colors that I feel are good in terms of painting, regardless of the unique colors of the motifs. Once the plan has been decided to some extent in terms of line and color, the line drawing on the tracing paper is transferred onto the panel and the main picture production begins.
The panel to be used is glued on both sides. Ground paint all over the screen, sides, and back. The same color as the background color of the screen has also been applied over the sides.
On the screen, after preparation with an undercoat and a sharpener that crushes the wood grain, 20 or more layers of paint are applied as depictions, all parts and solids are repeated, and grinding with water-resistant sandpaper is applied while applying water. By repeatedly scraping and monitoring the screen, a screen that seems complete appears.
2 months
The word “strawberry” in the title seems to be sometimes used in jargon to mean “blood,” so I used it in this work to express “pain.”
The work is like a vehicle that conveys the viewer's sensibility. We hope you enjoy your favorite trip in the world of color, shape, and matière.
View in a Room
How to Buy
This artwork is available for purchase.
USD 1,561
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painter
Painting as PhenomenonHideaki Fujimoto explores the possibilities of painting through a method that builds up the picture surface by layering and grinding acrylic paint. His compositions range from the representational to the non-representational, yet all share a common quality of color and matière.Born in Akashi, Hyogo Prefecture, Fujimoto developed an early fascination with vehicles and machinery that grew into a longing to "make things." This led him to AKASHI National College of Technology, where he studied mechanical engineering; his graduation research examined the wear of NBC cutting tools in metal processing, and the textures and imagery of metal he observed under an electron microscope during that research continue to inform his work today.While still a student, he grew increasingly drawn to design and graphic art, and decided to change course, transferring to the Department of Industrial Design (now the Department of Design Engineering), School of Engineering, Chiba University, where he studied design more broadly. For his graduation project, he worked in a fine art research laboratory, producing paintings.After graduating, he worked at a design office and gained other professional experience before once again deciding to pursue painting. He enrolled in the Department of Oil Painting at Musashino Art School, spending two years relearning the fundamentals of painting and completing the program in March 1997. He moved to Naha, Okinawa immediately afterward, and has been based there, continuing his practice, ever since.Having long been drawn to painting's layered structure, uniqueness, and physicality, Fujimoto arrived in 1999 at his signature technique: building the picture surface by layering acrylic paint and grinding it down with sandpaper. Since then, while continuing to explore a range of visual styles, he has consistently pursued what he calls the "layered magic" hidden within painting.In recent years, he has also actively presented and sold his work online, including through e-commerce platforms and art subscription services.
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