See (clipping series - Be conveyed)/ みる (きりぬきシリーズ - つたわる)
Year: 2023
Material/Technique: Acrylic, Canvas
Size: 65.2 × 53 × 2 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Acrylic, Canvas
- Size
- 65.2 × 53 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Kotaro Machiyama
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About a Week
- Category
- Painting
- Style
- Abstract, Pop Art, Conceptual, Geometry, Street Art, Minimalism
Work Details
作品のコンセプト・制作意図
メインシリーズの一部を切り抜いた”きりぬきシリーズ - つたわる”
情報の移動をテーマとしたシリーズ。モチーフである風景を情報元、完成したメインシリーズの作品を一次情報として、メインシリーズの一部を切り抜いた”きりぬきシリーズ - つたわる”を一次情報を見た人が受け取った情報としている。人によって情報の受取り方は様々で大抵一次情報の自分に有益な一部を切り出してる。それは切り取り方によってまったく見え方が変わる。
展示風景
動画
この作品で表現したかったこと
切り取り方によって見え方は変わる。
身の回りにある情報はつねに切り取られた形で提供されている。そして、それは切り取られ方でまったく違う形になってしまう。ださい
制作手法や使用している道具
Acrylics on canvas
制作場所(アトリエ)について
東京
作品やタイトルに込めた想い
情報は切り取られながら伝わっていく
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Education 2011 Setu Mode Seminar graduation. 2004 Tokyo Zokei University of Art and design subject dye major graduation Selected Solo Exhibitions 2025 |“Yamato Spirits” – Daikanyama Tsutaya Books, Tokyo, Japan 2024 |“Clipping” – arflex Nagoya & Osaka, Japan 2023 |“Clipping” – arflex Toky, Japano 2020 |“Wakaranai Mono ga Suki” – arflex Tamagawa & Osaka, Japan Selected Group Exhibitions / Art Fairs 2025 |ART 365 – Daimaru Tokyo & Matsuzakaya Nagoya, Japan 2025 |“Subconscious Paradise” – Xiamen, China 2024 |International Gallery Week – Ningbo, China 2023 |Modern Art Museum Shangha, China 2023 |ART AMOY – Xiamen, Chinai Awards / Recognition 2017 |Rise Art Prize – Highly Commended (UK) 2017 |J-WAVE TIME TABLE – Grand Prize (Japan) Selected Clients / Collaborations Louis Vuitton arflex Japan BBC (UK) Stanford University (USA) Artist statement My work explores abstraction as a way of reconnecting with the simple act of seeing. I remove storytelling, depth, and clear references so that color and form can stand on their own, without directing the viewer toward a specific meaning. I am inspired by the way a child first experiences the world, before everything has a name. At that stage, color and shape are felt freely and openly. In my painting practice, I try to return to that space of direct and intuitive perception. In the studio, I intentionally leave out recognizable figures and narrative elements. This allows me to focus more closely on how colors and forms relate to one another. Through this process, the painting becomes a living interaction of shapes, tones, and energy. My paintings are not meant to represent something specific. Instead, they offer space. They invite the viewer to slow down, to look without expectation, and to connect with their own sensations, emotions, and memories. For me, painting is a place where seeing becomes immediate, personal, and alive. Education 2011 Setu Mode Seminar graduation. 2004 Tokyo Zokei University of Art and design subject dye major graduation Selected Solo Exhibitions 2025 |“Yamato Spirits” – Daikanyama Tsutaya Books, Tokyo, Japan 2024 |“Clipping” – arflex Nagoya & Osaka, Japan 2023 |“Clipping” – arflex Toky, Japano 2020 |“Wakaranai Mono ga Suki” – arflex Tamagawa & Osaka, Japan Selected Group Exhibitions / Art Fairs 2025 |ART 365 – Daimaru Tokyo & Matsuzakaya Nagoya, Japan 2025 |“Subconscious Paradise” – Xiamen, China 2024 |International Gallery Week – Ningbo, China 2023 |Modern Art Museum Shangha, China 2023 |ART AMOY – Xiamen, Chinai Awards / Recognition 2017 |Rise Art Prize – Highly Commended (UK) 2017 |J-WAVE TIME TABLE – Grand Prize (Japan) Selected Clients / Collaborations Louis Vuitton arflex Japan BBC (UK) Stanford University (USA) story After retiring as a web designer for an apparel company (Listair), he traveled to Southeast Asia as a backpacker. After returning to Japan, he decided to make a living from painting and attended the Setsu Mode seminar night course while working as a temporary employee during the day. While experiencing three periods of unemployment, including his first retirement, he gradually acquired a job as an illustrator. Artwork, which was created in parallel with illustrations in 2014, received praise at overseas online galleries and began to be sold mainly in America and Europe, and in recent years he has been active as an artist. Domestic activities are also expanding, starting with a solo exhibition at Arflex Tamagawa in 2020.
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ご覧いただきありがとうございます!!あなたのご支援は、制作活動(主に絵の具、キャンバス、木枠などの材料の購入資金)&応援されているという精神的支えとして活動していく上で大変力を頂けます!!何卒宜しくお願い致します!!