See (clipping series - understand)
Year: 2026
Material/Technique: Acrylic, Canvas
Size: 72.7 × 60.6 × 2 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Acrylic, Canvas
- Size
- 72.7 × 60.6 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Kotaro Machiyama
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Pop Art, Conceptual, Geometry, Street Art, Minimalism
Work Details
Concept and production intention of the work
My work explores abstraction as a return to the simple act of seeing. By removing narrative and recognizable imagery, I allow color and form to exist freely, without fixed meaning.
Inspired by the early way a child experiences the world, I create paintings that are open spaces rather than representations. I focus on the relationship between color and form, inviting viewers to slow down and experience the work in a direct, personal, and sensory way.
Clipping series – understand
When partial information and structural understanding overlap, the whole of the subject can be grasped in its essence.
Even without directly seeing everything, that understanding can still be established.
In this series, extracted fragments and abstracted structures are presented simultaneously.
Information as personal memory or impression connects with the framework that supports the whole, allowing perception to reach the entirety of the subject.
For example, in a book, remembering a striking passage corresponds to “Be conveyed,” while grasping the structure through something like a table of contents corresponds to “frame.”
When these two overlap, it becomes possible to understand the book as a whole.
Sharing the same title as the main series and originating from the same source, this series explores the state in which understanding itself is formed.
Exhibition scenery
videos
Production methods and tools used
Acrylics on canvas
Production methods and tools used
Acrylics on canvas
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Education2011 Setsu Mode Seminar Graduate School Graduation2004 Graduated from Tokyo Zokei University, Department of Design, Department of DyeingKey clients/collaborationsLouis VuittonAlflex JapanBBC (UK)Stanford University (USA)ARTIST STATEMENTSMy work is an attempt to rediscover the pure act of “seeing” through a method called abstraction. By removing stories, depth, and clear references, we are making colors and shapes exist not as symbols of something, but by their own power. It does not lead viewers to a specific meaning.The source of inspiration is the way young children look at the world for the first time before things are named. At that stage, colors and shapes are perceived as a sense of freedom and openness. Through my production, I want to return to such an intuitive and direct field of perception.The studio dares to eliminate familiar appearances and narrative elements. This is because by doing so, you can focus deeply on how colors and shapes resonate with each other. Through this process, the painting transforms into a place where form, color, and energy vividly intersect.My paintings aren't meant to express anything specific. It's like a single “blank space.” A place for viewers to suddenly stop, watch without preconceptions, and connect with their own senses, emotions, and memories. I hope people can once again feel the very feeling of “seeing” through drawing. There, the experience of feeling colors and shapes as they are before knowledge or logic is born.storyAfter retiring as a web designer for an apparel company (Listair), he traveled to Southeast Asia as a backpacker. After returning to Japan, he decided to make a living from painting and attended the Setsu Mode seminar night course while working as a temporary employee during the day. While experiencing three periods of unemployment, including his first retirement, he gradually acquired a job as an illustrator. Artwork, which was created in parallel with illustrations in 2014, received praise at overseas online galleries and began to be sold mainly in America and Europe, and in recent years he has been active as an artist. Domestic activities are also expanding, starting with a solo exhibition at Arflex Tamagawa in 2020.
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