Along
Year: 2026
Material/Technique: Acrylic, Canvas
Size: 53.4 × 45.7 × 2.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Acrylic, Canvas
- Size
- 53.4 × 45.7 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Kotaro Machiyama
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Pop Art, Conceptual, Geometry, Street Art, Minimalism
Work Details
Concept and production intention of the work
My work explores abstraction as a means of returning vision to its most fundamental condition. By removing elements such as depth, narrative, and predetermined meaning, I create paintings in which color and form remain as primary agents, allowing perception itself to come to the foreground.
The conceptual origin of this practice lies in the primordial gaze of an infant encountering the world for the first time, before objects are named, categorized, or understood. In this pre linguistic state, color and form exist without hierarchy, function, or symbolic assignment. I understand this mode of perception as a foundational structure of human sensibility, one that precedes knowledge, memory, and interpretation.
Within my studio practice, I systematically eliminate figurative references and contextual markers in order to isolate the initial sensory impulse that draws me toward an image. This act of reduction is not conceived as negation, but as concentration, a deliberate refinement aimed at intensifying the essential relationships between color and form. Through this process, the painting remains open and resists closure or fixed interpretation.
The resulting works operate as perceptual devices rather than representations. They do not impose meaning, but instead engage the viewer’s own emotional memory, attention, and imaginative capacity. By redirecting focus from what is seen to the act of seeing itself, my work invites a reconsideration of perception and proposes painting as a space in which vision can be experienced as immediate, embodied, and sensorial
Exhibition scenery
videos
Production methods and tools used
Acrylics on canvas
About the production location (atelier)
Tokyo
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Education2011 Setsu Mode Seminar Graduate School Graduation2004 Graduated from Tokyo Zokei University, Department of Design, Department of DyeingKey clients/collaborationsLouis VuittonAlflex JapanBBC (UK)Stanford University (USA)ARTIST STATEMENTSMy work is an attempt to rediscover the pure act of “seeing” through a method called abstraction. By removing stories, depth, and clear references, we are making colors and shapes exist not as symbols of something, but by their own power. It does not lead viewers to a specific meaning.The source of inspiration is the way young children look at the world for the first time before things are named. At that stage, colors and shapes are perceived as a sense of freedom and openness. Through my production, I want to return to such an intuitive and direct field of perception.The studio dares to eliminate familiar appearances and narrative elements. This is because by doing so, you can focus deeply on how colors and shapes resonate with each other. Through this process, the painting transforms into a place where form, color, and energy vividly intersect.My paintings aren't meant to express anything specific. It's like a single “blank space.” A place for viewers to suddenly stop, watch without preconceptions, and connect with their own senses, emotions, and memories. I hope people can once again feel the very feeling of “seeing” through drawing. There, the experience of feeling colors and shapes as they are before knowledge or logic is born.storyAfter retiring as a web designer for an apparel company (Listair), he traveled to Southeast Asia as a backpacker. After returning to Japan, he decided to make a living from painting and attended the Setsu Mode seminar night course while working as a temporary employee during the day. While experiencing three periods of unemployment, including his first retirement, he gradually acquired a job as an illustrator. Artwork, which was created in parallel with illustrations in 2014, received praise at overseas online galleries and began to be sold mainly in America and Europe, and in recent years he has been active as an artist. Domestic activities are also expanding, starting with a solo exhibition at Arflex Tamagawa in 2020.
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