MT-Line [Glow of the Sea]
Year: 2026
Material/Technique: Acrylic, Panel, Japanese Paper, Foil
Size: 25 × 70 × 2 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 608
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
![MT-Line [Glow of the Sea]](https://api.artsticker.app/images/work/253944_17933373732204_x.webp?f1e43253a9244988)
About the Work
- Year
- 2026
- Material/Technique
- Acrylic, Panel, Japanese Paper, Foil
- Size
- 25 × 70 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Chihiro Mori
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Drawing
- Style
- Abstract
Work Details
MT-Line [Glow of the Sea]
MT-Line It is drawn with lines spun out of space while just flowing without touching the brush on the paper. A supple trajectory created by the brush tip, which is covered with soft air, scoops up particles of light. I drew it with such a line
“Glow of the Sea.”
The waves that have caught the light are slowly flickering, just like a nostalgic memory. Light that overlaps and sparkles, and gently breathes on the surface of the water.
Time is repeated along with the waves, and the light shines softly and clearly, like seagrass that has reached a quiet beach.
Eventually, the light becomes a pleasant afterglow, illuminating the seaside scenery as far as possible. I used gold, champagne gold, and gold leaf and silver leaf to gently entrust that sparkle that creates eternity to this work. Please enter
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How to Buy
This artwork is available for purchase.
USD 608
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
calligrapher
I have been familiar with calligraphy since childhood, and when I was 17, I was impressed by the beauty of the calligraphy lines of the late Aoyama Sugiame (who received the Order of Culture), and studied calligraphy at university. After graduation, he worked for 7 years at a private high school in Tokyo and Saitama Prefectural High School (Japanese language and calligraphy).Since 2000, he has been creating art for domestic and international hotels, model rooms, etc., and murals and logo designs for restaurants, etc. Up to now, he has been involved in about 700 cases. Currently a director of the Yomiuri Calligraphy Association and a director of the Kenshin Shodo AssociationMain art works and collections Shisui, a Luxury Collection Hotel, Nara Sanctuary Court Biwako Haneda Airport Garden Villa Fontaine Grand Haneda Airport Hamamatsu Medical University Hospital Club Med Kiroro Peak Hotel Hall Art & Mural Royal Park Hotel The Haneda Transit Area Front and lobby art, guest room art KOBE ORIENTAL HOTEL ROYAL PARK HOTEL YOKOHAMA PLAZA HOTEL Hilton Odawara XIV Hakone Imperial Villa Kotani Ryu no Sato Doggies Island Aichi Medical and Dental University Hospital Cancer Research Center East Hospital Fairfield by Marriott Awaji Island NY NAOKI Asahi Broadcasting's “Dramatic Before and After” Art After Renovation Osaka Imperial Hotel brochure illustration Ueno Fugetsudo Mizuyokan Goful Package title, illustration Yamano Aiko Yamano Beauty Mate “Mido” brand title, Motif painting Sapporo Beer Garden NY cow horn (mural) HILTON TOKYO BAY DYNASTY Nadaman (Sapporo) Restaurant Santori (Waikiki) Become a ninben Works published in the magazine “I'm Home” Will be involved in about 700 cases by 2025/1 STATEMENT[Mori thousand: thousand = line]Pursuing lines has been the theme of my life. The line I aim for throughout my life is “a line woven by unintentional coincidences.” I think this is something that exists in nature. For example, there is universal beauty in “lines woven by unintentional coincidences” of rain marks on concrete walls, and “lines created at the end of smudges” of cup marks with slightly spilled coffee left on coasters on hot summer days.I continue to study calligraphy and create works that are in harmony by superimposing various lines with universal beauty from a different angle from calligraphy. Furthermore, I am creating each series of works in the hope that it will lead to a world where people respect and harmonize with each other's ways of life so that various lines overlap and harmonize in the work. I would be happy if you could take a look.
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