For/ もとへ
Year: 2022
Material/Technique: Acrylic, Canvas
Size: 65.2 × 80.3 × 2.5 cm
Edition: Unique
Signed:Included

About the Work
- Year
- 2022
- Material/Technique
- Acrylic, Canvas
- Size
- 65.2 × 80.3 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Painting
- Style
- Abstract, Minimalism, Street Art
Work Details
For/ もとへ
2022
65.2 x 80.3 x 2.5 cm/ 25.6 x 31.6 x 1 in
Acrylics on canvas
まがるみち
ここちよく
のびていく
とどけとどけと
個人蔵
作品細部/ Detail of artwork
------------------------------ 日本人アーティストの町山耕太郎によって作られたオリジナル作品です。キャンバスにアクリル絵の具で描かれており、額装不要ですぐに飾ることができます。作品はスタジオから直接送られ裏面に手書きのサインがあります。
韓国でのグループ展”PINZLE ORIGINAL”に参加。
期間:2022年4月26-5月15日
会場: Quote from
@pinzle_official ————————————————————-
〈PINZLE ORIGINAL〉 “핀즐의 첫 번째 원화 전시 소식을 전합니다.” Pinzle Original을 론칭하며, 그 첫 번째 전시를 공간 와디즈에서 진행합니다. 이미 글로벌 미술시장에서 작품성과 시장성을 입증한 코타로 마치야마, 낫다오, 돌로레스 펠프스 이 3명의 아티스트가 전하는 원화의 감동을 국내에서 가장 먼저 만나보세요. 전시 공간에는 아티스트들의 인터뷰 영상을 감상할 수 있으며 그들이 어떻게 작업을 하고 무엇의 영감을 받는지 등의 다양한 주제를 들여다볼 수 있습니다. ▫️전시 기간 : 4.26~5.15(월요일 휴관) ▫️전시 장소 : 성수동 공간 와디즈 지하 1층
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Artist
Painter
Education2011 Setsu Mode Seminar Graduate School Graduation2004 Graduated from Tokyo Zokei University, Department of Design, Department of DyeingKey clients/collaborationsLouis VuittonAlflex JapanBBC (UK)Stanford University (USA)ARTIST STATEMENTSMy work is an attempt to rediscover the pure act of “seeing” through a method called abstraction. By removing stories, depth, and clear references, we are making colors and shapes exist not as symbols of something, but by their own power. It does not lead viewers to a specific meaning.The source of inspiration is the way young children look at the world for the first time before things are named. At that stage, colors and shapes are perceived as a sense of freedom and openness. Through my production, I want to return to such an intuitive and direct field of perception.The studio dares to eliminate familiar appearances and narrative elements. This is because by doing so, you can focus deeply on how colors and shapes resonate with each other. Through this process, the painting transforms into a place where form, color, and energy vividly intersect.My paintings aren't meant to express anything specific. It's like a single “blank space.” A place for viewers to suddenly stop, watch without preconceptions, and connect with their own senses, emotions, and memories. I hope people can once again feel the very feeling of “seeing” through drawing. There, the experience of feeling colors and shapes as they are before knowledge or logic is born.storyAfter retiring as a web designer for an apparel company (Listair), he traveled to Southeast Asia as a backpacker. After returning to Japan, he decided to make a living from painting and attended the Setsu Mode seminar night course while working as a temporary employee during the day. While experiencing three periods of unemployment, including his first retirement, he gradually acquired a job as an illustrator. Artwork, which was created in parallel with illustrations in 2014, received praise at overseas online galleries and began to be sold mainly in America and Europe, and in recent years he has been active as an artist. Domestic activities are also expanding, starting with a solo exhibition at Arflex Tamagawa in 2020.
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ご覧いただきありがとうございます!!あなたのご支援は、制作活動(主に絵の具、キャンバス、木枠などの材料の購入資金)&応援されているという精神的支えとして活動していく上で大変力を頂けます!!何卒宜しくお願い致します!!