Canna 500-500-1-4
Year: 2024
Material/Technique: Acrylic, Canvas, Panel, Pigment
Size: 50 × 50 × 2.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Acrylic, Canvas, Panel, Pigment
- Size
- 50 × 50 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- NAKAMURA Ko-Ki
- Ship-from Area
- Saitama Prefecture
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Half Abstraction
Work Details
This work is part of a series of paintings drawn through the process of taking photographs of flowers and plants found in everyday life and then decomposing and reconstructing those images on a computer. A picture of a canna flower is used here.
It is a common motif called “flower” and “plant” that has been drawn for a long time regardless of east or west, and I am trying to express new possibilities by reconstructing the various forms and colors contained therein.
First, by decomposing a photograph into a flat color surface, the elements that formed the original image lose their role as structures and change to parallel entities.
In this process, by erasing shapes and connecting different parts, elements that originally existed in different places are connected, and a new visual space is created.
In the completed abstract screen, I aim to comfortably stimulate the viewer by intersecting the relationship between the easily reversed figure and the ground and the atmosphere of the original plant.
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This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
He studied industrial design at Chiba University, Faculty of Engineering, Department of Industrial Design, and conducted research on formative aspects of design at the same graduate school. He began creating two-dimensional works while attending graduate school, and presented his works at solo exhibitions etc. from around 2000.Production continues, focusing on the spatial nature of new images created by combining and reconstructing forms through the viewer's experiences and memories.
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