Canna 500-500-1-4

Year: 2024

Material/Technique: Acrylic, Canvas, Panel, Pigment

Size: 50 × 50 × 2.5 cm

Edition: Unique

Signed:Included

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Canna 500-500-1-4

About the Work

Year
2024
Material/Technique
Acrylic, Canvas, Panel, Pigment
Size
50 × 50 × 2.5 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
NAKAMURA Ko-Ki
Ship-from Area
Saitama Prefecture
Days Until Dispatch
About 2 Weeks
Category
Painting
Style
Abstract, Half Abstraction

Work Details

This work is part of a series of paintings drawn through the process of taking photographs of flowers and plants found in everyday life and then decomposing and reconstructing those images on a computer. A picture of a canna flower is used here.

It is a common motif called “flower” and “plant” that has been drawn for a long time regardless of east or west, and I am trying to express new possibilities by reconstructing the various forms and colors contained therein.

First, by decomposing a photograph into a flat color surface, the elements that formed the original image lose their role as structures and change to parallel entities.

In this process, by erasing shapes and connecting different parts, elements that originally existed in different places are connected, and a new visual space is created.

In the completed abstract screen, I aim to comfortably stimulate the viewer by intersecting the relationship between the easily reversed figure and the ground and the atmosphere of the original plant.

View in a Room

Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4
Canna 500-500-1-4

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This artwork is available for purchase.

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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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NAKAMURA Ko-Ki
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Artist

NAKAMURA Ko-Ki
✔︎

He studied industrial design at Chiba University, Faculty of Engineering, Department of Industrial Design, and conducted research on formative aspects of design at the same graduate school. He began creating two-dimensional works while attending graduate school, and presented his works at solo exhibitions etc. from around 2000.Production continues, focusing on the spatial nature of new images created by combining and reconstructing forms through the viewer's experiences and memories.

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Last updated date
09.15.2026
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