Warm/あたたかい
Year: 2021
Material/Technique: Acrylic, Canvas
Size: 45.5 × 53 × 2 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2021
- Material/Technique
- Acrylic, Canvas
- Size
- 45.5 × 53 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Kotaro Machiyama
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Minimalism, Street Art
Work Details
Warm/あたたかい 2021 53 x 45.5 x 2 cm/ 17.9 x 20.9 x 0.8 in acrylics on canvas こどものけしきに はながさく きいろのなかにはちがとぶ ------------------------------ 日本人アーティストの町山耕太郎によって作られたオリジナル作品です。キャンバスにアクリル絵の具で描かれており、額装不要ですぐに飾ることができます。作品はスタジオから直接送られ裏面に手書きのサインがあります。
Group Show “Concerto” 会期:2022年4月1日(金)-5月9日(月) 会場:アルフレックス 玉川 参加作家: 狩野岳朗、繁田直美、田中紗樹、町山耕太郎、松岡一哲、矢田典子 企画:noie.cc @noie.cc arflexと共にお届けしておりますLIFE with ART project、アルフレックス玉川にてグループ展を開催。 「音楽」をテーマに表現技法の異なる6名のアーティストに作品をご用意いただきました。 本展はアルフレックス名古屋にて大変ご好評をいただき、玉川への巡回となりました。 アルフレックス玉川の移転リニューアルオープンを彩る、第1回目の展覧会でもあります。 “Concerto” アート作品から音楽を感じることがある。 作為無く作家自身が制作の際に聞いていた音なのか、あるいは作品に込めた音なのか。 きっと感じる音は鑑賞者ひとりずつによって異なり、視覚だけではなく、そこに佇む空気も含めて心の中で奏でられている。 インテリア空間で響き合う6名の協奏曲をぜひご鑑賞ください。 詳細はnoie HPまたはarflex topicsをご覧ください。 https://noie.cc/arflex-life-with-art-project/ https://www.arflex.co.jp/topics/concerto_t/
Exhibition Information
- Past Exhibitions
- Kotaro Machiyama Art Exhibition “Clipping”06.27.2024 - 07.16Kotaro Machiyama Art Exhibition “Clipping”05.30.2024 - 06.18
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SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Education2011 Setsu Mode Seminar Graduate School Graduation2004 Graduated from Tokyo Zokei University, Department of Design, Department of DyeingKey clients/collaborationsLouis VuittonAlflex JapanBBC (UK)Stanford University (USA)ARTIST STATEMENTSMy work is an attempt to rediscover the pure act of “seeing” through a method called abstraction. By removing stories, depth, and clear references, we are making colors and shapes exist not as symbols of something, but by their own power. It does not lead viewers to a specific meaning.The source of inspiration is the way young children look at the world for the first time before things are named. At that stage, colors and shapes are perceived as a sense of freedom and openness. Through my production, I want to return to such an intuitive and direct field of perception.The studio dares to eliminate familiar appearances and narrative elements. This is because by doing so, you can focus deeply on how colors and shapes resonate with each other. Through this process, the painting transforms into a place where form, color, and energy vividly intersect.My paintings aren't meant to express anything specific. It's like a single “blank space.” A place for viewers to suddenly stop, watch without preconceptions, and connect with their own senses, emotions, and memories. I hope people can once again feel the very feeling of “seeing” through drawing. There, the experience of feeling colors and shapes as they are before knowledge or logic is born.storyAfter retiring as a web designer for an apparel company (Listair), he traveled to Southeast Asia as a backpacker. After returning to Japan, he decided to make a living from painting and attended the Setsu Mode seminar night course while working as a temporary employee during the day. While experiencing three periods of unemployment, including his first retirement, he gradually acquired a job as an illustrator. Artwork, which was created in parallel with illustrations in 2014, received praise at overseas online galleries and began to be sold mainly in America and Europe, and in recent years he has been active as an artist. Domestic activities are also expanding, starting with a solo exhibition at Arflex Tamagawa in 2020.
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