REBORN
Year: 2022
Material/Technique: Brass, Others
Size: 33×26.5×50.5cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2022
- Material/Technique
- Brass, Others
- Size
- 33×26.5×50.5cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- Ayako Kuno
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Sculpture
- Style
- Fantasy
Work Details
私は都市で目にする風景をモチーフに、人間が創造するものの混沌とした様相や、人々が繰り返してきた行為から生まれる力強さや希望を、鋳造技法を用い表現している。
常に動き続けていることが当たり前だと思っていた都市活動が、コロナ禍でほぼ全世界同時に止まる、麻痺する感覚を初めて味わい、改めて人間が構築してきたものの脆さや儚さ、喪失感を感じ、社会が抱える課題や世相について、そして何より“生きる“という事をより考えるようになった。
そして普段気にも留めていなかった人間の混乱とは全く無縁の身の回りにある自然に目を向けるきっかけにもなった。
この作品は自分なりの[自然]を表現した作品である。
公募展「2022金沢・世界工芸コンペティション」 入選作品。
エディション：1/1(一点もの)
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This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Under the theme of “what can be seen by taking a bird's-eye view of the city's activities,” they mainly use lost wax precision casting techniques that enable precise expression, and create self-made parts by replacing metals such as brass and bronze.By cutting out elements of the outline and surface shape that can be seen from what humans have manipulated, shaped, and constructed, scrap-and-build is repeated over time, and a landscape that can be seen after the structure has been proliferated is expressed.
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