Wt

Year: 2025

Material/Technique: Others, Wood, Pigment, Panel, Linen, Powder

Size: 34 × 68.5 × 4.6 cm

Edition: Unique

Signed:Included

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Wt

About the Work

Year
2025
Material/Technique
Others, Wood, Pigment, Panel, Linen, Powder
Size
34 × 68.5 × 4.6 cm
Edition
Unique
Signed
Included
Frame
Included
Work Certificate
Included
Distributor of artworks
森下 明音
Ship-from Area
Oita Prefecture
Days Until Dispatch
2-3 Days
Category
Painting
Style
Everyday, Half Abstraction, Primitivism

Work Details

Concept and Intention of the Artwork

I am painting using soil. There is a feeling that it has become part of the regional cycle by making it using materials that are readily available, such as soil collected by oneself and waste materials received at local factories. Also, I feel a sense of security that I can draw without paint or specialized art materials. Utilizing the characteristic of the fresco technique of drawing an image before the plaster dries, I improvise without drafts or planning. Therefore, the pictures drawn reflect the season, climate, physical condition, mood, etc. at that time. The title of the work is written in alphabetical order based on the sound that I came up with after looking at the finished picture. There's no point in that, and I'm wearing it as an extension of the brushstrokes of paint. I feel that pictures drawn unconsciously express human instincts and essence, and I believe that while they are personal, they are also feelings common to all human beings.

Production Methods and Tools

We collect soil from places we visit by chance and from our surroundings, and refine it to make pigments. In addition, hemp bags discarded at local bean sprouts factories are reused as canvases. Slaked lime for agriculture is mixed with fibers from hemp bags to make plaster, and before it dries, the soil is drawn with paint dissolved in well water. We use a fresco technique where the calcium component of the plaster coats the soil and fixes it. It is a technique that does not fade and lasts for hundreds of years.

Production Location

I am making it at home surrounded by nature.

Exhibition Information

Exhibition Venue
NCA| nichido contemporary art
Period : 05.30.2026 - 07.04.2027

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Artist

森下 明音
✔︎

自ら採取した土を使って、フレスコ画を描いている。大分を拠点に制作中。自然や動物などの造形をヒントに、体の動きや感覚に任せて絵を描いている。  物心がついた頃、近所の砂利道が少しずつアスファルトで舗装されていった。それを見ていた私は、自分の意思とは 関係のないところで、地球と人間との分断が進んでいくような気がして、寂しさと恐ろしさを感じていた。  大学院修了後、大分県の山間部に移住する。山に囲まれて過ごすうち、自然や野生動物たちの音やテクスチュアが体 に染み込んでゆき、心が満たされるのを感じた。人間が作り出した混沌とした世界のなかで、人間でない者たちの営み との繋がりを感じることによって、自身の生と向き合い、生きていくことができるような気がしている。  絵を描く際には画面からのフィードバックがあり、まるで絵を食べているような感覚になる。かねてより既製の絵の 具を使用することに違和感があった私は、山間部への移住をきっかけに、自ら採取し、精製した土を顔料にして絵を描 き始めた。 木枠や額には、地元の工場で廃棄される木材を使用し、画布には同じく廃棄される麻袋を再利用している。そこに、麻袋の繊維と農業用の消石灰を混ぜて作った漆喰を塗り、井戸水で溶いた土を使ってフレスコ画を描いている。フレスコ技法の特性を生かして、即興的に描いた絵には、その日の気候や体調、精神状態が反映されている。 ​ 近年では、土との対話をより深めるため、陶芸作品の制作を始めた。

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山間部を拠点に活動しています。いただいた資金を活動費として使用させていただきます。ご支援よろしくお願いします。

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Last updated date
08.24.2026
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