Poh
Year: 2025
Material/Technique: Others, Wood, Pigment, Panel, Linen, Powder
Size: 39 × 48.5 × 5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Others, Wood, Pigment, Panel, Linen, Powder
- Size
- 39 × 48.5 × 5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- 森下 明音
- Ship-from Area
- Oita Prefecture
- Days Until Dispatch
- 2-3 Days
- Category
- Painting
- Style
- Everyday, Half Abstraction, Primitivism
Work Details
When I was able to remember, I watched the gravel road in the neighborhood gradually being paved with asphalt, and I felt that the division between the earth and humans progressed in places unrelated to my own intentions, and I felt lonely and fearful. After completing graduate school, he moved to a mountainous area in Oita Prefecture. As I spent time surrounded by mountains, I felt that the sounds and textures of nature and wild animals seeped into my body, and my heart was filled. In a chaotic world created by humans, I feel like I can face my own life and live by feeling the connection with the activities of people who are not humans.
When drawing a picture, there is feedback from the screen, and it feels like eating a picture. There was a sense of incongruity with using ready-made paints for some time, and after moving to mountainous areas, I started painting with dirt. It is drawn using a classical technique called fresco with plaster and soil on a support made by reusing wood or hemp bags discarded at local factories. Fresco is an Italian word meaning “fresh,” and it has the characteristic of drawing before the plaster dries. Fresco painting is a technique that does not fade and remains unfaded for hundreds of years, and is used in church interior murals, etc. Taking advantage of the characteristics of frescoes, the climate, physical condition, and mood of the day are reflected in pictures drawn improvised. The title expresses the sound that came to mind after the work was completed in the alphabet, and there is no meaning in the words, and it is attached as if it were an extension of brushwork.
Pigments are made by collecting soil from places and people around us that we visit by chance and refining it. In addition, hemp bags discarded at local bean sprouts factories are reused as canvases. Slaked lime for agriculture is mixed with fibers from hemp bags to make plaster, and before it dries, the soil is drawn with paint dissolved in well water. We use a fresco technique where the calcium component of the plaster coats the soil and fixes it.
I am making it at home surrounded by nature.
Exhibition Information
- Past Exhibitions
- SHOWCASE vol.3: Kyushu/Okinawa by ArtSticker03.06.2026 - 03.21
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
自ら採取した土を使って、フレスコ画を描いている。大分を拠点に制作中。自然や動物などの造形をヒントに、体の動きや感覚に任せて絵を描いている。 物心がついた頃、近所の砂利道が少しずつアスファルトで舗装されていった。それを見ていた私は、自分の意思とは 関係のないところで、地球と人間との分断が進んでいくような気がして、寂しさと恐ろしさを感じていた。 大学院修了後、大分県の山間部に移住する。山に囲まれて過ごすうち、自然や野生動物たちの音やテクスチュアが体 に染み込んでゆき、心が満たされるのを感じた。人間が作り出した混沌とした世界のなかで、人間でない者たちの営み との繋がりを感じることによって、自身の生と向き合い、生きていくことができるような気がしている。 絵を描く際には画面からのフィードバックがあり、まるで絵を食べているような感覚になる。かねてより既製の絵の 具を使用することに違和感があった私は、山間部への移住をきっかけに、自ら採取し、精製した土を顔料にして絵を描 き始めた。 木枠や額には、地元の工場で廃棄される木材を使用し、画布には同じく廃棄される麻袋を再利用している。そこに、麻袋の繊維と農業用の消石灰を混ぜて作った漆喰を塗り、井戸水で溶いた土を使ってフレスコ画を描いている。フレスコ技法の特性を生かして、即興的に描いた絵には、その日の気候や体調、精神状態が反映されている。 近年では、土との対話をより深めるため、陶芸作品の制作を始めた。
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