Echoes of Silver Dusk
Year: 2025
Material/Technique: Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel, Gold Leaf, Rocky Paint, Resin, Aluminum
Size: 45.5 × 53 cm
Edition: Unique
Signed:Included



About the Work
- Year
- 2025
- Material/Technique
- Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel, Gold Leaf, Rocky Paint, Resin, Aluminum
- Size
- 45.5 × 53 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Category
- Painting
- Style
- Abstract, Half Abstraction, Fantasy, Japanese Painting / Japanese Style, Romantic
Work Details
Afterglow of dusk.
A silvery hour where a special path reveals itself.
— — — — — — — — —
Illusions and moonlight.
Layers of faint lace-like light that you can't see unless you close your eyes overlap over and over again.
I drew the boundary between dreams and reality through the fine light trajectory that appears in the depths of the night.
● It is partially drawn using phosphorescent pigments. The used part of this paint will glow gently for 8 hours after 15 minutes of sufficient irradiation.
When in natural light, the light gradually shines in the evening and gradually fades in the morning.
material
Aluminum Leaf (Mounted on Paper), Oil-Based Alkyd Resin Paint, Hemp Paper, Iwa-enogu (mineral pigments), Gold Leaf, Aluminum Leaf, Tin Leaf, Phosphorescent pigment
● It is partially drawn using phosphorescent pigments. The used part of this paint will glow gently for 8 hours after 15 minutes of sufficient irradiation.
When in natural light, the light gradually shines in the evening and gradually fades in the morning.
Exhibition Information
- Past Exhibitions
- Miaki's Selection Exhibition “The Naked Eye”04.04.2026 - 04.25
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Artist
Contemporary Japanese-Style Painting
Naomi Nishizawa creates “The Tale of the Second Moon,” a narrative born from her unique imagination.
She is a contemporary artist celebrated for her radiant and intricate compositions employing gold and metallic leaf. Rooted in the traditions of Japanese painting, she fuses diverse materials such as handmade washi paper, oil-based resin, and phosphorescent pigments to create a singular visual world.
Within her semi-abstract works, quiet imagined scenes are gently interwoven. These softly spun visions evoke moments from fairy tales and mythology, inviting viewers into a poetic narrative realm. Shimmering, reflective, and glowing materials function not only as decorative elements but also as gateways to dreamlike, multilayered worlds.
Since 2019, Nishizawa has exhibited in Japan and internationally, including Paris, Hong Kong, Singapore, and Jakarta, steadily expanding her global recognition and acclaim. She was born in Tokyo, where she lives and works.
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