The heralding thunderhead

Year: 2025

Material/Technique: Rocky Paint, Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel

Size: 60.6 × 60.6 cm

Edition: Unique

Signed:Included

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The heralding thunderhead

About the Work

Year
2025
Material/Technique
Rocky Paint, Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel
Size
60.6 × 60.6 cm
Edition
Unique
Signed
Included
Frame
Negotiations
Work Certificate
Included
Category
Painting
Style
Abstract, Half Abstraction, Fantasy, Japanese Painting / Japanese Style
Hashtag

Work Details

A massive cloud in the sky
brings the next season with it.

— — — — — —

Above the imaginary “second moon,” large clouds drift while the seasonal rain falls.

These pink clouds seem to be approaching us while pouring flower petals and golden rain.

material

Brass Leaf (Mounted on Paper), ),Oil-Based Alkyd Resin Paint, Hemp Paper, Iwa-enogu (mineral pigments), Gold Leaf, Brass Leaf , Aluminum Leaf    

View in a Room

The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead
The heralding thunderhead

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Nishizawa Naomi
✔︎

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Artist

Nishizawa Naomi
✔︎

Nishizawa Naomi

Contemporary Japanese-Style Painting

Naomi Nishizawa creates “The Tale of the Second Moon,” a narrative born from her unique imagination.

She is a contemporary artist celebrated for her radiant and intricate compositions employing gold and metallic leaf. Rooted in the traditions of Japanese painting, she fuses diverse materials such as handmade washi paper, oil-based resin, and phosphorescent pigments to create a singular visual world.

Within her semi-abstract works, quiet imagined scenes are gently interwoven. These softly spun visions evoke moments from fairy tales and mythology, inviting viewers into a poetic narrative realm. Shimmering, reflective, and glowing materials function not only as decorative elements but also as gateways to dreamlike, multilayered worlds.

Since 2019, Nishizawa has exhibited in Japan and internationally, including Paris, Hong Kong, Singapore, and Jakarta, steadily expanding her global recognition and acclaim. She was born in Tokyo, where she lives and works.

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Last updated date
07.09.2026