To Regret Each Other/ To Regret With a Lid Wajima No.1
Year: 2025
Material/Technique: Photograph, Glass, Others
Size: 45 × 30 × 1 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 313
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.



















About the Work
- Year
- 2025
- Material/Technique
- Photograph, Glass, Others
- Size
- 45 × 30 × 1 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- The Chain Museum
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 会期終了後、1ヶ月〜1ヶ月半程度に発送予定
- Category
- Painting
- Style
- Everyday, Society / Politics / History
Work Details
Artwork price: ¥50,000 (tax included)
Size: H45 x W30 x D1
Material: oil container, photograph, haze glass
Production year: 2025
Edition: one-of-a-kind
Framed: yes
Work certificate: ◯
Sign: ◯
Sales period: 2025/12/6 (Sat) 8:00 to 2026/1/4 (Sun) 23:00 [first-come-first-served basis]
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“To each other/ to that thing without”
The works organized as installations in this exhibition are works that have been continuously created in Wajima City on the Noto Peninsula since 2024.
Currently, based in Wajima City, I am working on works that focus on objects in the daily lives of disaster victims collected from houses and meeting places to be demolished, and “memories of loss” that disaster victims have through interviews.
What came to mind when facing this exhibition was the “appearance of disaster victims who live in Wajima City talking about lost time and existence.” I felt that the reconstruction of the cityscape and people's activities was nothing but gaze and prayer directed at lost close people and landscapes. Also, in contrast to that, while being able to spend every day as a matter of course, it makes me notice that the absurd events that occurred in Noto over time gradually and surely diverged from the feeling that they were “somehow being reconstructed.”
The title “To That Thing Without Me” is structured as an installation to experience the heartache and love of the disaster victims for their “now deceased existence” from that group of works.
What is the form of “connection” that should exist between disaster victims and us? In a space where the sense of loss we each have resonates, we continue to question the introspective confrontation with “loss,” which becomes obsolete over time.
■Details
■Exhibition scenery
■Exhibition information on exhibited works
This work will be exhibited at GALLERY ROOM A, a commercial gallery in Asakusa, at the solo exhibition “To That Without Each Other” which will be held from 2025/12/6 (Sat) to 2026/1/4 (Sun).
Ikeda Anri's New Solo Exhibition “From Each Other Side: To That Without Me”
Session period
2025/12/6 (Sat) - 2026/1/4 (Sun)
Venue
GALLERY ROOM A Address 2-16-5 Honjo, Sumida-ku, Tokyo KAIKA TOKYO by THE SHARE HOTELS 1F STORAGE 1
phone number
without
Opening hours
08:00-23:00
Closed
every day during the exhibition
Admission
free
access
8 minutes on foot from Asakusa Station on the
Toei Asakusa Line, 9 minutes on foot from Honjo-Azumabashi Station, 9 minutes on foot from Kuramae Station on the Toei Oedo Line
Venue URL
https://www.thesharehotels.com/kaika/
Exhibition page URL
Exhibition Information
- Past Exhibitions
- Ikeda Anri's New Solo Exhibition “From Each Other Side: To That Without Me”12.06.2025 - 01.04.2026
How to Buy
This artwork is available for purchase.
USD 313
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
contemporary artist
They collect furniture and clothes that have been worn out by people, and patterns of the owner's skin and create installations under the theme of “their own style.” We are creating a space where we confront “loss” in a space where memories “our days up until now” come to light, and make us think about, and confront “loss.” careers 1997 Born in Iizuka, Fukuoka 2019 Aichi Prefectural University of Art, Faculty of Fine Arts, Department of Fine Arts, Department of Sculpture, Takeuchi Takekazu Seminar Graduated 2021 École Nationale Supérieure des Beaux-Arts Emmanuelle Huynh Laboratory Exchange Program in Paris, France 2024 Completed the Tokyo University of the Arts Graduate School of Fine Arts Master's Program in Sculpture, Shinji Ohmaki Laboratory solo exhibition 2017 “Artists for the Future” Beleza Tsuruma Aichi 2018 “Cry for the Moon” Aichi Prefectural University of Art Aichi 2020 “On Music Projec “New Knowledge” 5/R Gallery Hall Aichi 2021 “Catching Each Other” Gallery K, Tokyo 2022 “JUST LIVING DAYS” Crouse de Paris, France 2023 “Katariwasure” Gallery K Tokyo Group Exhibitions 2017 “Liberal Disseminating Forest” Aichi Prefectural University of Art Aichi 2019 “Things that don't seem to be there” Tokyo University of the Arts, Tokyo 2020 “Life in a Box +” Higashi-Shizuoka Art & Sports Plaza Container Art Space, Shizuoka 2021 “DO/DO/DON'T DO DO DO DO IT” École Nationale Supérieure des Beaux-Arts, Paris, France 2022 “A-TOM ART AWARD 2022 FINALIST EXHIBITION” COURTYARD HIROO TOKYO 2023 “9th Sonoida” Sonoida Shin-Yurakucho Tokyo 2023 “Cloth Art Festival FUJI TEXTILE WEEK 2023" Former Yamaba Plant Yamanashi 2024 “72nd Tokyo University of the Arts Graduation and Completion Works Exhibition” Tokyo University of the Arts, Tokyo 2024 “Interventions in the Labyrinth” Mikke Gallery Tokyo 2024 “Intersection of the Future” Tokyu Plaza Ginza Tokyo Scholarship history 2021.10 - 2022.7 TOBITATE! Study in Japan Study Abroad Support Fund 2.1 million yen benefit Awards 2022.11 “A-TOM ART AWARD 2022” won the Sonoida Award
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2025年12月6日(土)〜2026年1月4日(日)まで浅草にあるGALLERY ROOM・Aで個展を開催いたします。本作品を新作として出展しておりますので、会場でご覧いただけますと幸いです。