Palette "REVIVE" the First Breakfast 2
Year: 2020
Material/Technique: Canvas, Acrylic, Paper
Size: 52 × 42 × 3 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 441
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2020
- Material/Technique
- Canvas, Acrylic, Paper
- Size
- 52 × 42 × 3 cm
- Edition
- Unique
- Signed
- Included
- Credits
- © MIKI WANIBUCHI
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- MIKI WANIBUCHI
- Ship-from Area
- Osaka Prefecture
- Days Until Dispatch
- 2-3 Days
- Category
- Painting
- Style
- Everyday, Abstract, Conceptual
Work Details
2019年に受けた胃の手術前後の日常と食事の記録を基にしたシリーズ、“REVIVE”。手術前後の入院中に、病院食を朝昼晩と撮影し、その食べる前・食べた後の画像を並列させ描いた作品をメインとしています。記録写真をモザイクに加工し、色を抜き出し、忠実に絵の具でドットを描いていくという手法をとっています。2020年はドットのペインティングとパレットのディプティック（二連作）になります。こちらの作品はそのパレット作品です。
厳密には「描かれたもの」を観賞者に理解してほしいわけではなく、「そこに描かれるものは作者のリアルと密接に触れている事柄（=世界=風景）である」ということを示すためのモチーフを、わたし自身が歩いた街や風景、経験したことから選択している。これは2014年ごろから一貫したテーマです。
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The series “REVIVE” is based on the records of daily life and meals before and after stomach surgery in 2019. It features two images of before and after the meal, arranged together in one painting. Photos of every breakfast, lunch and supper were taken during hospitalisation before and after the surgery. Then I have processed the photos into mosaics, extracted colours from them, and faithfully painted dots with it. Diptych style of painting and palette is adopted in 2020.
Strictly speaking, I do not want the viewers to understand what is depicted, but I chose the motif from the streets and landscapes I actually walked and the actual experiences of mine, in order to show “what depicted is something that is in close contact with the artist’s real life (= world = landscape)”. It has been a consistent theme since around 2014.
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This artwork is available for purchase.
USD 441
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Fine artist who pursues the boundary.
I paint extremely abstracted ‘landscape painting', focusing only on the single point of ‘extracting colour from the landscape’. This is a work that raises questions about the way we view landscapes in today's IT-enabled society, and aims to provide an opportunity to realise the essence of ‘landscapes’, which can now be easily recorded and viewed by anyone, while moving between the boundaries of real and abstract, analogue and digital.
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Send a Sticker to this artwork and support the artist.(¥160〜)
What is Sticker?![LA2022-0925 [Nail Polish] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/93422_173416687971585_l.webp?4f3f5e4c4d6c100d)
![LA2022-0921 [Afternoon 2] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91184_173373719455849_l.webp?d92e0ae25bed39c5)
![LA2022-0919 [Afternoon] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91183_173373553021101_l.webp?140443ba7aa470e0)
![LA2022-0921 [Afternoon] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91182_173373468939273_l.webp?1c02bc602a0b2364)
![LA2022-0921 [Morning] (mix) (paint) (depict) by MIKI WANIBUCHI](https://api.artsticker.app/images/work/91181_173373610076735_l.webp?0b5b1d6e485686c9)
人と人、人と場所、場所と記憶。わたしの作品は、厳密に言うなれば、その接点そのものでしかありません。こちらとあちらを繋ぎ、観賞者にあちらを“理解”しようと一歩を踏み出させる、そんな使命をもったトリガーとなる作品をつくりつづけたいと思っています。これからもご支援よろしくお願いいたします。
Strictly speaking, my artwork is just the single point of contact between people and people, people and places, places and memories. I want to continue creating artworks that would serve as a trigger with a mission to connect us with each other, and to make viewers take a step forward to "understanding" it. Thank you for your support!