Everlasting/ずっと
Year: 2025
Material/Technique: Acrylic, Canvas
Size: 65.6 × 100.2 × 3 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 3,260
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Canvas
- Size
- 65.6 × 100.2 × 3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Kotaro Machiyama
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Pop Art, Conceptual, Geometry, Street Art, Minimalism
Work Details
作品のコンセプト・制作意図
町山耕太郎の抽象画は、静かでありながら力強い対話を鑑賞者と交わします。
赤ん坊が世界を捉えるように――平面的で鮮やか、意味から解き放たれた視覚体験――彼の作品は奥行きや物語を排し、純粋に色と形に焦点を当てています。
本作品は、富山にある酒造「吉乃友酒造」のプレミアム日本酒「后(KISAKI)」シリーズとのコラボレーションとして制作されました。
モチーフは富山の風景から着想を得ており、「后 Blue 18」エディションのラベルとパッケージに使用されています。
それぞれの作品は、鑑賞者固有の記憶や感情、想像力を呼び起こし、単なるアートワークではなく個人的な体験を映し出す鏡のような存在となります。
ポスト・カラーフィールド抽象と知覚の探求を基盤とする町山のアートは、視覚的な新鮮さと感情の深みを兼ね備え、フィルターを通さない目で世界を再発見するよう誘います。
空間を明るく彩り、混沌の中にある調和を感じさせることで、心地よく高揚感のある雰囲気をあなたの空間にもたらします。
展示風景
動画
制作手法や使用している道具
Acrylics on canvas
制作場所(アトリエ)について
東京
View in a Room
How to Buy
This artwork is available for purchase.
USD 3,260
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Education2011 Setsu Mode Seminar Graduate School Graduation2004 Graduated from Tokyo Zokei University, Department of Design, Department of DyeingKey clients/collaborationsLouis VuittonAlflex JapanBBC (UK)Stanford University (USA)ARTIST STATEMENTSMy work is an attempt to rediscover the pure act of “seeing” through a method called abstraction. By removing stories, depth, and clear references, we are making colors and shapes exist not as symbols of something, but by their own power. It does not lead viewers to a specific meaning.The source of inspiration is the way young children look at the world for the first time before things are named. At that stage, colors and shapes are perceived as a sense of freedom and openness. Through my production, I want to return to such an intuitive and direct field of perception.The studio dares to eliminate familiar appearances and narrative elements. This is because by doing so, you can focus deeply on how colors and shapes resonate with each other. Through this process, the painting transforms into a place where form, color, and energy vividly intersect.My paintings aren't meant to express anything specific. It's like a single “blank space.” A place for viewers to suddenly stop, watch without preconceptions, and connect with their own senses, emotions, and memories. I hope people can once again feel the very feeling of “seeing” through drawing. There, the experience of feeling colors and shapes as they are before knowledge or logic is born.storyAfter retiring as a web designer for an apparel company (Listair), he traveled to Southeast Asia as a backpacker. After returning to Japan, he decided to make a living from painting and attended the Setsu Mode seminar night course while working as a temporary employee during the day. While experiencing three periods of unemployment, including his first retirement, he gradually acquired a job as an illustrator. Artwork, which was created in parallel with illustrations in 2014, received praise at overseas online galleries and began to be sold mainly in America and Europe, and in recent years he has been active as an artist. Domestic activities are also expanding, starting with a solo exhibition at Arflex Tamagawa in 2020.
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ご覧いただきありがとうございます!!あなたのご支援は、制作活動(主に絵の具、キャンバス、木枠などの材料の購入資金)&応援されているという精神的支えとして活動していく上で大変力を頂けます!!何卒宜しくお願い致します!!