Repairing the gap, the forehead spread open
Year: 2025
Material/Technique: Mixed Media, Photograph, Thread
Size: 12 × 13 × 1.5 cm
Edition: Unique
Signed:Not Included
This artwork is available for purchase.
USD 135
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Mixed Media, Photograph, Thread
- Size
- 12 × 13 × 1.5 cm
- Edition
- Unique
- Signed
- Not Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Genster Management Office
- Ship-from Area
- Kyoto
- Days Until Dispatch
- Not Set
- Category
- Mixed Media
- Style
- Half Abstraction, Conceptual, Society / Politics / History, Gender
Work Details
Due to the COVID-19 pandemic, I was scheduled to participate in a residency program abroad, but was unable to travel, so I ended up participating in the program online from Japan. As the pandemic progressed, I found myself spending more time in my room. So I started creating video works to send digitally to overseas audiences, and sought to give form to my own experiences, intertwining various thoughts and backgrounds. Specifically, I came to the realization that I might be able to express through my work the rising suicide rate among women in Japan, information about life and death, my complicated feelings about my late mother being a midwife and giving sex education lectures, and even my own trauma. The moment I publish my story, it is no longer just my story. It was at that time that I read the book "A Room Alone."
embroidery on photo
Exhibition Information
- Past Exhibitions
- UNRAVELED OVERLAPPED BUILT ROOMS09.10.2025 - 09.30
View in a Room
How to Buy
This artwork is available for purchase.
USD 135
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
1990年大阪の堺出身、京都精華大学芸術学部洋画コース卒業。
京都と大阪を拠点に制作活動を行っている。ドローイング、衣服、写真、映像を使って日々の意識と無意識の間にある形を追うように制作をする。大学卒業後、複数のアーティストインレジデンスプログラムに参加。近年は、亡くなった母親が助産師であったこと、女性に課せられる「母性」、自分自身と社会の関係や、自身のトラウマティックな記憶と現実を交差させるように作品作りをしている。映像作品写真を通じて制作をしている。近年のグループ展に、歩の流れ-Corm Part1, galerie16,京都(2024)/Fairy Fountain, Haus der Statistik, ベルリン(2023)/ Score, Kunstkraftwerk Leipzig, ライプツィヒ(2021) がある。
