The One/ Iris #4
Year: 2017
Material/Technique: Acrylic, Canvas
Size: 162 × 162 × 6 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 8,246
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2017
- Material/Technique
- Acrylic, Canvas
- Size
- 162 × 162 × 6 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- Hitoshi Tsuboyama
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Pop Art
Work Details
2017
アクリル、キャンバス／ acrylic on canvas
162 x 162 cm
「The one/ Iris」シリーズは、人間の眼がモティーフになっている。眼の仕組みとしての「網膜に映し出されるビジョン」と視覚芸術である「絵画」を重ねながら、その虹彩が持つ美しさにフォーカスしている。いっぽうで、眼の虹彩はその無二性や経年変化の少ないことからDNAに次ぐ精度とも言われる虹彩認証システムに利用されている。それは、個の情報が操作管理され、公（社会）の一部になるという側面も示唆している。この作品は、公と個の関係の象徴なのである。
坪山斉
"The one/ Iris" series is based on the motif of the human eye. He focuses on the beauty of the iris, layering "vision reflected on the retina" as a mechanism of the eye and "painting" as a visual art. The iris of the eye, on the other hand, is used in the iris authentication system, which is said to be second only to DNA in accuracy, because of its uniqueness and low ageing. It also suggests the aspect of individual information being manipulated and controlled and becoming part of the public (society). This work is a symbol of the relationship between the public and the individual.
Hitoshi Tsuboyama
How to Buy
This artwork is available for purchase.
USD 8,246
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
Born in 1981 in Miyagi. Completed the master's program in oil painting techniques and materials research at Tokyo University of the Arts Graduate School of Fine Arts. Since it is unique and there is little change over time, they are developing the “Iris” series drawn with a flat color surface using the iris of the eye used in authentication systems as a motif, and the “Light” series, which extracts part of that iris and takes on an abstraction, and questions the viewer about the relationship between individuals and the public and its essence. Major solo exhibitions in recent years include “Return to Seeing” (ContemporaryTokyo, Tokyo, 2024) and “ENCODE” (ContemporaryTokyoBeijing, Beijing, 2023). “Warm Current” for group exhibitions
There are (Powerlong Museum, Shanghai, 2022), etc.
As commission work in 2022, he was in charge of artwork and graphic design for UNIQLO's SUW (Sport Utility Wear) 2022 spring/summer global promotion.
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