Drawing for a Bodhisattva
Year: 2025
Material/Technique: Acrylic, Paper
Size: 42 × 29.7 cm
Edition: Unique
Signed:Included





About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Paper
- Size
- 42 × 29.7 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Category
- Painting
Work Details
■Details of the work
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Production year: 2025
Size: H42 x W29.7 cm (frame size: H42.5 x W30 x D2 cm)
Material: paper, acrylic paint
[About purchase/delivery]
・The customer is responsible for shipping the work.
・Delivery is possible both within Japan and overseas.
・It may take approximately 1 to 2 months for the work to be delivered after the exhibition period ends. Please be aware in advance.
・The displayed price includes the framing fee.
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■State of the venue
■Exhibition Information
Period
June 3 (Tue) - June 28 (Sat), 2025
Venue
Paichu Gallery
Address
Asahi Seimei Roppongi 5-2-4 Roppongi, Minato-ku, Tokyo 106-0032 2nd floor of the building
(Please take the stairs at the back left of the elevator to the 2nd floor)
Phone number
03-6434-9367
Opening hours
17:00-23:00
Closed
Sundays, Mondays
Admission
Free
Access
4 minutes on foot from Roppongi Station on the Hibiya Line, 7 minutes on foot from Roppongi Station on the Oedo Line
13 minutes on foot from Nogizaka Station on the Chiyoda Line, 13 minutes on foot from Roppongi-itchome Station on the Namboku Line
Artists
遠藤文香 / Ayaka Endo
門倉太久斗(22世紀ジェダイ) / Takuto Kadokura (22nd century JEDI)
戸田沙也加 / Sakaya Toda
半田颯哉 / Souya Handa
みょうじなまえ / Namae Myoji
山本れいら / Layla Yamamoto
Curation
半田颯哉 / Souya Handa
Organized by
ArtSticker (operated by The Chain Museum)
Exhibition Information
- Past Exhibitions
- ”Deconstructive Decoration” by Souya Handa06.03.2025 - 06.28
View in a Room
Artist
Artist
Sayaka Toda completed her Master’s degree in Fine Arts, specializing in Western Painting, at Joshibi University of Art and Design in 2012. Since her academic years, she has expressed a world where conceptual beauty intertwines with its grotesque counterpart, primarily through the forms of young girls, animals, and plants in her paintings. In 2019, she introduced a portrait series as allegorical images that emerge from her subjects, captured through nighttime snapshots. Recently, Toda has expanded her practice to include painting, photography, video, and installation, using diverse media to explore themes of duality and close relationships within everyday experiences.
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