果実"BLACK"

Year: 2024

Material/Technique: Glass

Size: 12 × 16 × 12 cm

Edition: Unique

Signed:Not Included

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果実"BLACK"
果実"BLACK"
果実"BLACK"
果実"BLACK"
果実"BLACK"
果実"BLACK"

About the Work

Year
2024
Material/Technique
Glass
Size
12 × 16 × 12 cm
Edition
Unique
Signed
Not Included
Frame
Not Set
Work Certificate
Included
Distributor of artworks
寺澤季恵
Ship-from Area
Not Set
Days Until Dispatch
Not Set
Category
Sculpture

Work Details

glass

Life is generally portrayed to be abundant, but I am attempting to feel life from aspects like decomposition and death. The shapes unique to blown glass, motifs of the body, and clusters, may often seem eerie. However, because the shiny property of glass allowed me to simply find them beautiful, it has led me to return to life as being abundance, as mentioned at the beginning. I create work in-between the phenomenon of glass and my perspective of life.

Testimonials

Terasawa’s work, seeming to allude to a fusion of artificial structures and the body, evokes the grotesque psychology, contradictions and unnoticed internal energy that we have inside us. Existences that are often deemed as deformed in the natural world, are extremely multi-layered. The delicate and organic glass particles that she creates, seems to be a possession by the collective memory reminiscent of the origin of life, where we are each a deformed individual and also the whole.

(Kaoru Usukubo)

Exhibition Information

Past Exhibitions
ARTISTS' FAIR KYOTO 2025
02.28.2025 - 03.02

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Artist

寺澤季恵
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寺澤季恵

ガラス作家

1997年 静岡県生まれ。2020年多摩美術大学工芸学科、2022年富山市立富山ガラス造形研究所研究科卒業。現在は金沢卯辰山工芸工房にてガラス作品制作を行う。"生命"を大きなテーマとし、彫刻やインスタレーションで表現する。主な展覧会に2024年個展「生生-ショウジョウ-」Gallery O2、「Hysterik Nature」三越コンテンポラリーギャラリー、2022年「KUMA EXHIBITION」ANB Tokyo など。

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Support Request Message

一般的に”生命は豊かなもの”として表されるが、私は腐敗や死などといった側面から「生」を感じようとしている。吹きガラス特有の形や身体のモチーフ、集合体はしばしば不気味なものに見えることがある。しかしガラス本来の輝きのおかげでそれらがシンプルに美しいとも思えたことから結果的に最初に述べた”生命は豊かなもの”に回帰すると考えている。ガラスの現象と自らの生命観の間で作品を制作している。

上記のテーマで作品制作を行なっています
これからも制作が続けられるようご支援頂けますと幸いです。
どうぞよろしくお願いいたします。

Life is generally portrayed to be abundant, but I am attempting to feel life from aspects like decomposition and death. The shapes unique to blown glass, motifs of the body, and clusters, may often seem eerie. However, because the shiny property of glass allowed me to simply find them beautiful, it has led me to return to life as being abundance, as mentioned at the beginning. I create work in-between the phenomenon of glass and my perspective of life.

Send a Sticker to this artwork and support the artist.(¥160〜)

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Last updated date
02.28.2025
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