Dummy--mffSJ4
Year: 2024
Material/Technique: Clay
Size: 36 × 30 × 22 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 2,789
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2024
- Material/Technique
- Clay
- Size
- 36 × 30 × 22 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- 諫山 元貴
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Sculpture
Work Details
clay
+¥275,000 with display
I think that the deterioration of my body, and the passing of time in the ultimate rule of decay, are the only things I feel is original. This is a different timeline to the subjective time we may perceive as short or long. I aspire to create work that moves back and forth between daily life, and a place where the body can just exist as matter; freed from a socially functioning time or status.
Testimonial
A graduate of Kyoto University of Art and Design, Genki Isayama inversely illuminates the situation where everything (including humans) becomes streamlined and standardised in an accelerating society, around the axis of reproduction and decay. Isayama’s expression, explored through a diversity of methods including video, exposes our perception of time and sensibility of living in a capitalistic society. This has a scope on a scale that exceeds simple civilisation criticism or irony―I hereby recommend him.
（Kohei Nawa）
Exhibition Information
- Past Exhibitions
- ARTISTS' FAIR KYOTO 202502.28.2025 - 03.02
How to Buy
This artwork is available for purchase.
USD 2,789
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
美術家
諫山元貴は広島県にあるピンク色の一軒家で、精製された土、マネキン、植物と戯れながら、複製物のオリジナリティについて日々探りながら制作している。主に、大量生産される日用品の型で形どった土製の物体が水中で崩壊していく様を定点撮影し、速度編集なく再生する映像作品を制作。他にも理想の身体像とも言えるマネキンや一定の品質で育てられる観葉植物をモチーフとしている。また共同アトリエ「スタジオピンクハウス」にて、学生と学芸員とアーティストが、作品制作の思考プロセスや技法について対話、考察を継続していくプログラム「Pink de Tea Time」の企画を行う。主な展覧会に、「Dolly」（hakari contemporary、京都、2024）、「Sights and Sounds:Japan」（ユダヤ博物館、ニューヨーク、2016）。主な受賞「VOCA展 2025」奨励賞、 「第２回広島文化新人賞」（2021）。主な作品収蔵先として、広島市現代美術館、Benton Museum of Art、高松市美術館、埼玉県立近代美術館などがある。
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What is Sticker?
私が唯一オリジナルだと感じることは、自身の身体の衰えであり、究極の決まり事であるその朽ちていく「時間の経過」だと考えています。それは短くも長くも感じてしまうような主観でみる時間とは違う時間軸です。社会的に機能する時間（時刻）や身分から解放され、物質としての身体がただそこにあると感じられる場所と日常とを往来するような作品をつくりたいと思っています。
I think that the deterioration of my body, and the passing of time in the ultimate rule of decay, are the only things I feel is original. This is a different timeline to the subjective time we may perceive as short or long. I aspire to create work that moves back and forth between daily life, and a place where the body can just exist as matter; freed from a socially functioning time or status.