Etere, Haha, Na, To
制作年份: 2024
材料或技法: 混合媒体, 布料, 丙烯酸纤维
尺寸: 162 × 162 × 5 cm
版本: 独特
签名:包括

关于作品
- 制作年份
- 2024
- 材料或技法
- 混合媒体, 布料, 丙烯酸纤维
- 尺寸
- 162 × 162 × 5 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- 作品制作:森綾乃 作品、展示会場撮影:苅部太郎
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- Mori Ayano
- 发货区域
- 東京もしくは京都
- 发送前的天数
- 展覧会終了後、1ヶ月以内
- 类别
- 绘画
- 风格
- 抽象的, 日常生活
作品详情
The title “Etere, haha, na, to”
The title is consistent, combining words with sound and rhythm. The words themselves do not have meaning; they are simply presented as an opportunity to look at the work.
The concept of the work
Relaxed and laid-back
It is drawn so that it won't be completed forever, or that it doesn't want to be completed
Open expression, that free and open painting method that rejects completion in the style of Goya
” Los Caprichos;”
It is nothing but a very modern expression of a carefree spirit.
Things that are drawn by layering cloth in layers and stand up while drawing over and over again,
The accumulation and traces of time there, and things that fluctuate between chance and inevitability lurking in space
Leave it with colors, lines, dots, etc. as if you were gently scooping it off
While action and randomness intersect
Just the way it is, laid-back and laid-back,
Dive far deeper into a space that goes beyond logic and words
Be gentle and quiet.
Cherish time to face space and do something that appeals to you
I want to catch
When various types of cloth are layered, drawing is repeated, and when layering, drawing is repeated. In the midst of that repetition
Accidental expressions (moiré phenomenon, etc.) that appear due to friction on cloth and traces that can be seen by facing space are converted into dots, lines, and colors with acrylic paint and drawn. When expressions of chance and inevitability are combined into one space, something unique and new appears
Belongs to the shared studio “Studio Heidenbang” in Kyoto Yodo
Nine artists searching for various ways of expression such as 2D, neon art, and digital art are jointly sharing a production location under the motto of connecting with society through art
观赏摆饰在房间里的样子
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艺术家
Artists/painters
The joy of creating works increases day by day and always brings fresh surprises. It is laid-back, free and vigorous, and refuses to be completed Speaking in the style of Goya, “Los Caprichos” is nothing but a carefree spirit. Like gently scooping up unseen space and uncertain things lurking within the screen Draw while hiding the joy of meeting Maybe it's more like touching than drawing I want to release joy even more through expression For solo exhibitions and work production funds. In order not to stop drawing Produced at Studio Heidenbang in Kyoto While drawing by layering dozens of sheets of cloth on a panel, painting on top of each other, creating layers The accumulation of space and time, and the traces that remain there. Something uncertain between action and randomness I'm looking for it on canvas Just the way it is, laid-back and laid-back To the far depths of space beyond logic and words chasing A free space without being flattering Born in Osaka in 1990 Graduated from the Oil Painting Course, Faculty of Art, Osaka University of Arts in 2012 Completed Tama Art University Master's Program in Oil Painting in 2014 Currently owned and produced at a shared studio/studio Heidenbang in Kyoto “Solo exhibition” 2025 “Nene, Amana Rine” (Hotel Anteroom Kyoto Gallery9.5/Kyoto) 2024 “Airasana” (Gallery S Pione/ Fukuoka) 2023 “Hanaseraso” ('17/'16) (KAZE ART PLANNING/Osaka) (&ISLAND/Osaka) 2022 “YUIYUSIS” (GalleryMain/Kyoto) 2018 “Knot” (Lights Gallery/Nagoya) 2017 “Hasaburan” (gallery style/Osaka) 2016 “If You Get Entangled” (gallery style/Osaka) “Warmth” (GALLERY TOKYO HUMANITE BIS/Tokyo) 2015 “When to Respond” (gallery style/Osaka) 2014 “A Place to Be Liberated” (GALLERY TOKYO HUMANITE BIS/TOKYO) 《Main Exhibitions/Activities》 2026 Capella Kyoto Mural Production (Kyoto) 2025 Mie Prefecture Yokkaichi City Mizusawa Wine” Domaine Fouillage” Wine Label Scenery Original Picture Production (Mie) Misei Space Ism Takarazuka Exhibition 2025 ('23'22'21'20) (Takarazuka City Culture and Arts Center Sub Gallery/Hyogo) 2024 Awareness (s+arts/Tokyo) Ripple “ripple” (UP&COMING/ Tokyo) STUDIO HAIDENBAN Exhibition (Hankyu Men's Osaka Contemporary Gallery/Osaka) 2023 Metase Quote Kyomachibori Art Fair 2023 (Kyomachibori Neighbori Area.Chignitta Speace/Osaka) Studio Heidenbang 3-Person Exhibition “Nanika's Sight” (Kyoto Okazaki Tsutaya GalleryenWall/Kyoto) 2022 “Blue in Heaps” Mori Ayano x Makita Saki (s+arts/Tokyo) 2021 radio appearance FM802 ROCK KIDS 802 -ochiken goes on- (FM802/Osaka) FOLK FOLK Creators' Workcation (Ise-shi, Mie-ken) 2020 3persons Exhibition (KAZE ART PLANNING/OSAKA) Ayano Mori x Yasutaka Matsushima 2-Person Exhibition “A B” (Lights Gallery/Nagoya) 2019 Misei Space Exhibition (Orie Art Gallery/Tokyo) (Gallery Style/Osaka) Two People Enjoying White - Takada Koji x Mori Ayano (Abeno Harukas Kintetsu Main Store Art Gallery/Osaka) 2018 2persons Exhibition Ayano Mori x Kotaro Otsuka (gallery style/Osaka) 2017 Independent TOKYO 2017 (Asakusa Hulic Hall/Tokyo) 2016 “WILL” (Shonandai MY Gallery/Tokyo) 2015 VOCA Exhibition 2015 -Perspectives on Contemporary Art- (Ueno Royal Museum, Tokyo) 2013 28th Holbein Scholarship “Art Fair” Domestic〉ART NAGOYA ('21/'20) Nagoya Kanko Hotel AiPhT ('19) Parktel Tokyo AFAF ('19) Fukuoka ART OSAKA2025 ('23'22/'21'18/'17/'16/'15) Osaka Overseas〉ART FORMOSA ('19/'18) eslite hotel/Taiwan KIAF 2017 COEX/Korea “Collection” 2025 BLANC BEIGE (Aichi) 2024 New Tokyo Building (Tokyo) 2022 BRASS Co., Ltd. (Aichi) /Kawai Electric Mural Co., Ltd. (Aichi) 2020 Atoll Terrace Kamogawa (Kyoto)
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