untitled #6
制作年份: 2025
材料或技法: 喷墨打印
尺寸: 36.4 × 48.5 cm
版本: 有版
签名:包括



关于作品
- 制作年份
- 2025
- 材料或技法
- 喷墨打印
- 尺寸
- 36.4 × 48.5 cm
- 版本
- 有版
- 签名
- 包括
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- The Chain Museum
- 发货区域
- 东京
- 发送前的天数
- 展覧会終了後、約1ヶ月
- 类别
- 照片
作品详情
■ Artwork information
・Title: untitled #6
・Production year: 2025
・Medium: Thermography, high resolution inkjet print mounted on aluminum board
・ED. 6 + AP. 2
・364mm×485mm
・Signed on the reverse side
Exhibition View
■Artist comments
Livestock is a category of human. *
The farm Hopeful Pig began in the wake of the 2011 Great East Japan Earthquake. After the tsunami, five mother pigs were found alive, huddled together inside a collapsed feed silo. They had survived on the leftover feed inside, and their life continues to today.
On the farm stands a derelict livestock shed, long unused before Hopeful Pig arrived. This shed once housed pregnant and farrowing stalls — narrow metal pens where female pigs were kept for breeding, spending most of their lives in confinement. Hundreds, sometimes thousands, of identical cold steel stalls were arranged in rows, with just enough space between them for a single pig or person to pass. These structures were designed solely for the efficient management of animals by humans, without any regard for the pigs’ natural behaviour. Their design bears a haunting resemblance to factories, detention centres or prisons used to control and exploit certain categories of people deemed “animal-like” or sub-human.
While dismantling these inherited structures, Hopeful Pig continues to explore new ways of farming. In a time when primary industries are in decline, the farm repurposes the ruins of industrial agriculture to pursue animal welfare, weaving together the lives of endangered species and, in doing so, offers a vision of what lies ahead.
Nozomi Takahashi, the pig farmer behind the project, told us: "I want to create a place of animal welfare for human beings." As we look upon the animals, we begin to feel ourselves — our bodies and minds — unwinding, softened by their presence. We recognise ourselves in them: as animals, and through animals.
KA-I is an encounter with the many possible meanings contained in these phonemes: disentangle and pleasure (解/快), sea and ash (海/灰), care and keeping (介/飼)... A moment of convergence between tenderness(懐) and the unknown(X).
MES
* Azumi Kawahara. 2024. The Ideological History of SM: Dreams and Desires Regarding Domination and Violence in Post-War Japan. Seikyusha, p. 356.
展览资讯
- 过去的展览
- MES Solo Exhibition "KA-I"2025.07.04 - 07.27
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 1,076
*显示的为汇率换算的参考价格。结算将以日元进行。
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