Dahlia(2024)
Year: 2024
Material/Technique: Others, Paper
Size: 42 × 29.7 × 2.2 cm
Edition: Edition Available
Signed:Included
This artwork is available for purchase.
USD 831
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.




About the Work
- Year
- 2024
- Material/Technique
- Others, Paper
- Size
- 42 × 29.7 × 2.2 cm
- Edition
- Edition Available
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- 楢崎恵美/EMMI NARASAKI
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- About 3 Weeks
- Category
- Mixed Media
- Style
- Digital, Everyday, Quiet
Work Details
Concept: I've been a freelance graphic designer in Tokyo for a long time. I became an artist in 2024 and began creating art. In the past, continuous geometric patterns were used as designs, but after moving to Yokohama, I was inspired by a location full of nature and lived a relaxed lifestyle. What caught my eye changed to something organic, such as flowers and birds. I can now breathe deeply.
What I'm expressing now is like a flower is breathing. I would like to explore this motif and expression for a while to come.
Original Work
Mixed-media digital work
Archival pigment print, mounted on aluminum
Signed and numbered on verso
Production method: When I first started creating works, I used an iPhone camera and computer to create works. We are currently shifting to production with digital cameras (SIGMA dp3 Merrill) and computers in search of improvements in resolution, image atmosphere, and airiness.
(42x29.7x2cm) ¥130,000 / edition:20
(59.5x42x2cm) ¥185,000 / edition:10
(84x59.5x2cm) ¥250,000 / edition:5
(119x84x2cm) ¥370,000 / edition:5
Obsession: One of the major issues with computer-generated works is the specification of the final output. I chose a giclee print because of the fading, ease of handling the work, and the fact that many contemporary art artists have chosen it. It has a very long useful life and very beautiful reproducibility. I chose high-quality paper called museum print art paper. It is compressed onto an aluminum composite board and a lined wooden hanging frame is attached. It is very light in weight and easy to handle. The second photo of s is an example of using a giclee aluminum mount. The way shadows appear is also very refined. Please look forward to it!
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How to Buy
This artwork is available for purchase.
USD 831
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
I create my work with a contemporary sensibility and a gently poetic visual language. Using photographs and photo collages taken with a digital camera as esquisses, I shape and refine each piece on the computer. Throughout my practice, I return to the theme of “the breath of flowers,” exploring quiet moments and subtle tension through color and composition. My work is presented both online and in physical exhibitions. Graduated from Musashino Art University, Faculty of Art and Design Start artist activities in 2024 __________ “I capture a moment before it fully resolves — When form, space, and breath are still in tension.” __________ Narasaki Emi/EMMI NARASAKI visual artist Based in Japan Emi Narasaki/EMMI NARASAKI is a visual artist based in Japan. She creates works on the themes of the relationship between flowers and colors, and the tension in serenity. It features a unique method for constructing images with layers divided for each color using photographs and digital processes. His works have been presented at international group exhibitions, starting in Tokyo. __________ Artist Statement I capture scenes in which flowers appear as characters. Each flower is part of the cast. I consider where to focus, and what moment to hold. The texture of a petal. The fine hair along a stem. A faint stain that appears over time. And then I decide what kind of dress the flower will wear.
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