unconscious
Year: 2024
Material/Technique: Canvas, Acrylic, Mixed Media
Size: 65.2 × 91 × 4 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 2,654
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2024
- Material/Technique
- Canvas, Acrylic, Mixed Media
- Size
- 65.2 × 91 × 4 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Fuji Risako
- Ship-from Area
- 関東
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract
Work Details
This work depicts regularity within the unconscious (nature).
This work is based on the motif of “logarithmic spirals” of shapes seen in nature such as typhoons, galaxies, parrots, and cow horns.
Unconsciously, we make life choices based on rules.
The texture in this work was created according to the shape of a logarithmic spiral.
The lumpy textured part represents the earth on Earth, and the part blurred with water represents water and the ocean. (This is what is called terrain)
The shape was created in such a way as to trace the general shape of that terrain into a logarithmic spiral.
A logarithmic spiral is the name of a mathematical shape seen in nature in shapes such as typhoons, galaxies, and cockatoo shells.
As shown by the logarithmic spiral, unconsciously we may be creating a world based on regularity.
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This artwork is available for purchase.
USD 2,654
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artists
I paint beautiful nature that feels as if time has stopped.
By superimposing nature and us
We find meaning in being here and now
Time is limited and extremely valuable, and I think it's something that won't increase even if you want to increase it.
I noticed that when I looked at nature based on such thoughts, I felt as if time had stopped.
I started making this work because I wanted to express this strange feeling.
One question came to mind while I was proceeding with the production of the work.
Why do we feel that beautiful nature is beautiful?
Nature itself did not change its appearance or shape so that it felt beautiful when reflected in the human eye,
I thought everything was a result of coincidental overlap.
And that beauty is only possible when we have been programmed to feel that nature is beautiful.
Both nature and us were created by coincidental overlap.
By touching the work, I think we can discover the mystery and significance of the fact that we are here and now.
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