petal lines
Year: 2023
Material/Technique: Japanese Paper, Spray Paint
Size: φ90 × 3cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 496
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Japanese Paper, Spray Paint
- Size
- φ90 × 3cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- 國廣 沙織 | Saori Kunihiro
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Calligraphy
Work Details
How to Buy
This artwork is available for purchase.
USD 496
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
書家 / アーティスト
1985年広島県生まれ 京都在住 born in Hiroshima, based in Kyoto 広島県出身 京都在住 6歳より書を始める。 2011年より「書」を基盤とした活動を開始。 2015年、ひらがなをモチーフにしたアクセサリーブランドを立ち上げる。 2019年、アーティストとしての活動を始める。 Jewellry 2016年 日本べルギー友好150周年記念 在べルギー日本大使館認定事業”SAKURA150″ 2016年 Collective Design New York (ニューヨーク/アメリカ) 2018年 MODE上海 (上海/中国) 2019年 Première Classe (パリ/フランス) 2019年 TOKYO Collection 2020 S/S (東京) Art 2020年 グループ展 ART SHODO FESTA 2020 (東京) 2020年 個展 「The ultimate in line」 haku (京都) 2020年 京都市パリ市合同アートプロジェクト「Savoir-faire des Takumi 対話と共創」 2021年 グループ展 伝統産業ミュージアム (京都) 2021年 グループ展 ART FAIR TOKYO 2021 2021年 グループ展 ART@DAIMARU (京都) 2021年 個展「Floating lines」ARTBAY HOUSE(東京) 2021年 個展「Supple lines」名古屋松坂屋(愛知) 2021 年 グループ展 銀座蔦屋 (東京) 2021 年 グループ展「ART SHODO FESTA in Fukuoka」福岡アジア美術館 2022 年 グループ展「TOKYO SHODO WEEK」三鷹市芸術文化センター (東京) 2022 年 グループ展「JAPAN SHODO SHOW」目黒区美術館 (東京) 2022 年 「SICF23」スパイラル (東京) 2022 年 グループ展「SHODO NEW AGE (Eastern conference)」市川市文化会館 (千葉) 2022年 個展「frame of self」THE TERMINAL KYOTO (京都) 2022 年 グループ展「SHODO NEW AGE (Western conference)」MEDIA SHOP (京都) 2022年 グループ展「In the Flow」薫風館 (京都) I work as a contemporary artist and a jewelry designer. Through the basis of my childhood learning Japanese calligraphy. I am aspiring to find the possibilities of calligraphy in these modern times. From Japanese calligraphy, I was most inspired by the “Kana” of the Heian period, with its original beautiful flow of words. I made a hiragana-motif accessary brand in 2015, conducting events in both foreign countries and domestically. Through this experience, I was able to learn branding and management. By designing jewelry, collaborating with the clothing brand “BEAMS”, and exhibiting at the Tokyo collection 2020 Spring/Summer, I was able to feel the demand of using Japanese words as fashion. It made it possible for me to shape calligraphy into “design” which can be worn, rather than a decoration inside the room which can be “seen”. In 2019 I moved from Tokyo to Kyoto, to countinue my work using Japanese calligraphy as contemporary art for my creation.
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