soft planet
Year: 2014
Material/Technique: Oil, Cotton, Panel
Size: 114.2 × 165 cm
Edition: Unique
Signed:Not Set

About the Work
- Year
- 2014
- Material/Technique
- Oil, Cotton, Panel
- Size
- 114.2 × 165 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- (c) Kaori Furuhashi
- Frame
- Not Set
- Work Certificate
- Not Set
- Category
- Painting
Work Details
芽吹く時期の山肌の、枯れ木と緑が斑になった色調から着想した。木の幹の鈍い薄紫色を空全面にしている。フェンス状のものが登場する初期の作品。中之条ビエンナーレ2015では展覧会パスポートのビジュアルに使用された。
Installation View
〈 “Coffee & Art” vol.4 Kaori Furuhashi 〉2014-2015
Venue: CAFE+ZAKKA+GALLERY MINERVA
Photo by Yuzuru Nemoto
Courtesy of Contemporary Art Center, Art Tower Mito
〈 NAKANOJO BIENNALE 〉2015
Venue: Former Hirozakari Brewery
Photo by Kazuyuki Miyamoto
中之条ビエンナーレ2015 パスポート
〈 共同アトリエ art space tencount にて 〉2014
Artist
Painter
Painter. Born in Tokyo in 1982. MFA in oil painting study from the University of Tsukuba in 2007. Starting from familiar views such as hills, water surfaces, light, and fences, Furuhashi makes paintings in which thin stains and tactile thick paint coexist. In recent years, she has also been researching painting materials related to transparency/ translucency. Recent group exhibitions include "The Way of Paintings 2022" (Sompo Museum of Art, Tokyo, 2022), "Nakanojo Biennale 2019" (Former Daisan Elementary School, Gunma, 2019), and "BankART Under 35 2017" (BankART Studio NYK, Kanagawa, 2017). Recent solo exhibitions include "Artist Series Vol. 101 Kaori Furuhashi - Between Flickers -" (Kiyosu City Haruhi Art Museum, Aichi, 2023), and "Islands in the Mud" (Viento Arts Gallery, Gunma, 2019). Won the Semi-Grand Prize in "The 10th Kiyosu City Haruhi Painting Triennale", the Excellent Work Award in "FACE 2019 Sompo Japan Nipponkoa Art Award Exhibition" and more. ... When painting, I repeatedly choose whether to connect things naturally or strangely. What words do the lines, planes, blurs, and sharp edges that interferes with clear perception of objects evoke? For me, it’s separation, parallel, coexistence, floating, holes, gravity, transparency, etc. My work is like a tentative collection of the subtle nuances from those words. Photo by Emi Nakata
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