The Law of Lifting-1: The Resigned Pigeon
Year: 2025
Material/Technique: Paper, Silk Screen
Size: 27.4 × 22.3 × 2.4 cm
Edition: Edition Available
Signed:Included
This artwork can be purchased through entry.
USD 173
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Paper, Silk Screen
- Size
- 27.4 × 22.3 × 2.4 cm
- Edition
- Edition Available
- Signed
- Included
- Regarding sales
Precautions regarding sales
To protect the artist's value through fair and ethical transactions, we ask for your understanding and cooperation regarding the following. Please submit your entry only if you have read, understood, and agreed to all the precautions listed below.
[Important Notes]
Please refrain from contacting the artist directly.
Cancellations are not accepted; if selected, you are required to purchase the artwork.
We kindly ask purchasers to refrain from reselling, transferring, donating, or any other acts that change or transfer the ownership of the artwork until September 1, 2029 (three years from the date of purchase).
[Entry Results]
Regardless of the result, all applicants will be notified of their status via email by Mid-October 2026.
Selected winners are requested to reply and complete the payment within 3 days of receiving the notification email from the ArtSticker Secretariat.
[Purchase and Delivery]
Cancellations after selection will not be accepted. The right to purchase cannot be transferred or exchanged for cash.
Shipping costs are the responsibility of the purchaser. We will provide a separate estimate and contact you.
Delivery is available both within Japan and internationally.
Please note that delivery may take approximately 1 to 2 months after the conclusion of the exhibition.
[Handling of personal information in purchase applications]
Personal information provided when applying for the purchase of this work will be provided to the exhibitor of the work.
1. Contents of personal information provided to third parties
Details entered to apply for the purchase, such as your name, email address, address, phone number, etc.
2. Third parties providing personal information
Shiori Ichikawa
3. Purposes of use by third parties that have received the information
(1) To deliver purchased works and respond to inquiries regarding works
(2) To provide information about art exhibitions, art works, and other products, services, and events by Shiori Ichikawa via email, mail, etc.
- Frame
- Included
- Work Certificate
- Not Included
- Distributor of artworks
- Shiori Ichikawa
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
Work Details
Whenever I encounter animals outdoors, I feel a strong impulse to lightly pick them up, cradle them gently in my hands, and gaze into their eyes. However, knowing how cruel that would be to someone I’ve just met for the first time, I have no intention of ever actually doing it. I wonder if pigeons wouldn't really mind at all? (Though, that is likely just my own biased misunderstanding.)
[About Artwork Sales]
Available artworks will be sold via an entry-based (lottery) system.
[Entry Period]
Wednesday, Augest 26, 1:00 PM – ,Tuesday September 1, 11:00 PM
Artwork Details
This series features interviews with featured artists, exploring their works and the creative processes behind them. We spoke with artist Shiori Ichikawa about his creative concepts and future goals.
Read the full interview here ▽
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How to Buy
This artwork can be purchased through entry.
USD 173
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter, Printmaker
The inner life of another is unknowable. No matter how close we are, there is no way to fully know what another being feels.
I make work from that place of not-knowing. My gaze toward insects, small animals, and creatures at society's margins is not a search for answers. Knowing that complete understanding is impossible, I reach toward them anyway — it is that act of reaching that gives my practice its meaning.
Biology holds a concept called Umwelt: every creature inhabits its own distinct perceptual world, different from another's. I move between these worlds, from a place that belongs fully to none of them — an in-between position bound up with my own upbringing, a solitary childhood spent closer to nature than to people.
Not-knowing can easily become resignation. My practice moves the opposite way: precisely because I cannot know, I look more carefully.
Seeing does not change what is seen. Yet the fact of having tried to see remains. My paintings are traces of that attempt.
