Rear Window230830-1
Year: 2023
Material/Technique: Acrylic, Panel
Size: 91 × 65.2 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.



About the Work
- Year
- 2023
- Material/Technique
- Acrylic, Panel
- Size
- 91 × 65.2 cm
- Edition
- Unique
- Signed
- Included
- Credits
- Photo by Koichi Nishiyama
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- 家田 実香
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Abstract
Work Details
I explore the possibilities of painting by using the traces created through the transformation of materials and the passage of time as points of departure.
I regard paint and its support not merely as tools of expression, but as materials that continue to change in their own right.
Through an ongoing dialogue with these materials, I embrace phenomena and forms that emerge beyond the limits of my intention and control, seeking to make visible the otherwise invisible presence of time and memory.
The Rear Window series emerged after the medium I had used in a previous body of work was discontinued due to an import suspension.
When I suddenly found myself unable to continue making the paintings I had believed I could create indefinitely, I experienced a profound sense of loss.
At that moment, Alfred Hitchcock's Rear Window came to mind.
The film follows a journalist confined by a leg injury, who becomes determined to uncover the truth behind the events unfolding outside his window.
As I stared at a blank white panel, I found my own figure overlapping with that of the protagonist gazing out of his window.
How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
アーティスト
兵庫県出身 2018年京都造形芸術大学大学院修了 東京と埼玉を拠点に活動 絵を描く人間が現れたと同時に絵を描く道具が誕生した。表現方法の多様化とともに描画道具も多様化し、現代には様々な絵画作品が生み出されている。人類未到の絵画表現を目指すのに画材へのリスペクトは欠かせないと考える私は「マテリアル・フェティシズム」という言葉を掲げた。 やり尽くされたと言われる絵画の世界にもまだ無いものがあるはずと、現代の画材に触れながら私は探している。
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