CCW260322
Year: 2026
Material/Technique: Acrylic
Size: 91 × 72.7 × 7 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 2,118
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.







About the Work
- Year
- 2026
- Material/Technique
- Acrylic
- Size
- 91 × 72.7 × 7 cm
- Edition
- Unique
- Signed
- Included
- Credits
- ©2026 Miaki Gallery
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Miaki Gallery
- Ship-from Area
- Not Set
- Days Until Dispatch
- 展覧会終了後、2週間程度
- Category
- Painting
- Style
- Abstract, Conceptual
Work Details
"To melt and manipulate paint that has already hardened."
The CCW series by Mika Ieda is a conceptual body of work exploring the theme of "time"—an inescapable force we can never defy. The series title, CCW, stands for "Counter-Clockwise."
Typically, in the process of painting, paint dries and hardens, following a one-way progression of time. However, by employing the unique process of deliberately "melting and manipulating" acrylic paint that has already set, Ieda attempts to reverse this otherwise irreversible flow. Like pinning down a moment in the stream of time, she seeks to capture the "now" as a preserved specimen on the canvas.
A particularly noteworthy element of this work is the English tongue twister inscribed on the surface: "I wish to wash my Irish wristwatch."
Here, the "wristwatch" serves as a device to measure time, while the act of "washing" links directly to Ieda's physical process of melting the paint. This humorous play on words functions not merely as a textual quotation, but as a profound metaphor that strikes at the core of the series: "deconstructing and mobilizing time." By manifesting the paradox of "washing a watch" (i.e., melting paint to reverse time) on the canvas, the artwork presents the viewer with a quiet, eternally suspended moment.
Brilliantly visualizing the invisible concept of "time" through the fluidity of material paint and text, this piece proposes a new relationship between "time and matter" in contemporary painting. (Miaki Gallery)
Exhibition Information
- Past Exhibitions
- Miaki's Selection Exhibition “The Naked Eye”04.04.2026 - 04.25
View in a Room
How to Buy
This artwork is available for purchase.
USD 2,118
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
アーティスト
兵庫県出身 2018年京都造形芸術大学大学院修了 東京と埼玉を拠点に活動 絵を描く人間が現れたと同時に絵を描く道具が誕生した。表現方法の多様化とともに描画道具も多様化し、現代には様々な絵画作品が生み出されている。人類未到の絵画表現を目指すのに画材へのリスペクトは欠かせないと考える私は「マテリアル・フェティシズム」という言葉を掲げた。 やり尽くされたと言われる絵画の世界にもまだ無いものがあるはずと、現代の画材に触れながら私は探している。
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