Re-filter
Year: 2021
Material/Technique: Panel, Led
Size: 180 × 180 cm
Edition: Unique
Signed:Not Set



About the Work
- Year
- 2021
- Material/Technique
- Panel, Led
- Size
- 180 × 180 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- Sound Design: Yuichi Nakamura
- Frame
- Not Included
- Work Certificate
- Not Set
- Category
- Installation
- Style
- Philosophy / Vanitas
Work Details
私達は、私達を取り巻く全てに自分の色を重ね、
切り取り、解釈を施している。
自分が見て、感じている”そのまま”の色やカタチで
他者から認識されることはない。
時に、驚くほど美しかったり、
ぞっとするほど歪んでいたり、
困惑する程あべこべだったりしながら、
同じ事実を私達は共有している。
分厚くなったフィルターを剥がしながら、異なる角度から眺める想像力を持てば、
全てにおいて、多彩な真実があると気づき、新たな世界を発見していくことになる。
We add our own “colors” to everything around us, pick them out, and define them. We may not perceive things (“colors” and shapes) in the same way as others do.
Sometimes images are astonishingly beautiful, sometimes horrifyingly distorted, and sometimes bewilderingly uneven, but we all see the same things.
If you have the imagination to peel away the thick outer filter and see things from different angles, you will realize that there is a variety of truth in everything and discover a new world.
Artist
Artist
Born in 1987, from Oita Prefecture. Graduated from Keio University Graduate School of Media Design. They are working with the statement “nature is media,” and their representative works include the installation work “In the Rain” (Ars Electronica Festival invited exhibition) with the theme of rain, “A Seaside” (Smart Illumination Yokohama invited exhibition), which advocates the former scenery of Yokohama, and “A (as team ★ Panai)” (Asia Digital Art Awards), a device that makes it impossible not to re-recognize the diversity of the Japanese language There are awards of excellence), etc. Born in 1987, from Oita Prefecture. Graduated from Keio University Graduate School of Media Design. Since he was an undergraduate, he has set up a product team at teamLab Co., Ltd., and has been involved in product development for the company, representing teamLab Hangers and teamLab Balls. Became independent while enrolled in graduate school. They are carrying out activities with the statement “nature is media.” Representative works include “On the Ground — Invisible, Inaudible —,” which visualizes what cannot be seen or heard, “A (As Team ★ Panai),” a device that re-recognizes the diversity of Japanese, and the work “Sound Gardening,” which uses plants as instruments. Also, the rain-themed installation work “In the Rain” is expanding the range of activities both domestically and internationally, such as holding an invited exhibition at the Ars Electronica Festival, which is one of the world media art events. Major awards include the 2012 Asia Digital Art Awards Excellence Award (as TeamPanai) and the Smart Illumination Award 2014 Grand Prize (w/ Kentaro Tezuka).
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