Polymerization #4
Year: 2025
Material/Technique: Acrylic, Cotton
Size: 27.3 × 22 × 1.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 464
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Cotton
- Size
- 27.3 × 22 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- HORIGUCHI Shingo
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Japanese Painting / Japanese Style, Geometry, Digital, Conceptual
Work Details
I seek to translate into painting the mechanism by which the human eyes perceive space. In particular, I am interested in how binocular vision—seeing with two eyes—shapes our visual experience. I believe that this question is embedded in early modern painting, such as in the work of Cézanne and Analytical Cubism. While referencing these precedents, I explore my own process of incorporating the complexity of binocular vision into painting.
Installation view of the solo exhibition “Polymerization”
The title Polymerization is a term from chemistry referring to the process in which numerous molecules bond together to form a large, network-like structure. In this series, multiple distinct images are interwoven and combined within what appears to be a single painting. By merging several images into one pictorial field, I attempt to visualize the process by which the images perceived by the left and right eyes are synthesized within the mind.
Framing Information
The listed price includes a temporary frame.
The price without a frame is JPY 66,000 (tax included).
View in a Room
How to Buy
This artwork is available for purchase.
USD 464
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
There is a slight discrepancy between what the right and left eyes perceive. People see the world by continuously synthesizing these two fields of vision in the mind. I attempt to reconstruct this perceptual instability through the structure of painting. To render a perception that is constantly in flux is to engage in creating something that cannot be fully completed from the outset. I call this attitude—both in making paintings and in understanding art as it has been practiced—“Binocularism,” and I identify myself with it. Born in 1993, Kyoto, Japan 2016 B.F.A., Department of Japanese Painting, Tama Art University 2018 M.F.A., Japanese Painting Course, Tama Art University Graduate School ~2022 Assistant, Japanese Painting Studio, Tama Art University Solo Exhibitions 2026 “Reconfigured Westerlies” LOKO GALLERY／Daikanyama 2025 “POLY -transparency” msb gallery／Nihonbashi 2025 “Polymerization” Kameido Art Center, Higashi-Ojima 2024 “POLY-viewpoints” obi gallery, Fujisawa 2023 “EYE-BALLS ADVENTURE part:2” Yanagisawa Gallery, Higashi-Urawa (organized by Gallery pepin) 2023 “EYE-BALLS ADVENTURE part:1” LOOP HOLE, Fuchu 2021 “The Field and Daylight 3.2” tagboat, Yurakucho 2021 “The Field and Daylight 3.0” Sukiyuwa, Nishi-Ogikubo 2020 “FUZZY CRAWL” Art Space Rashinban, Kyobashi 2019 “BEAST / HUMAN / MACHINE” Kameido Art Center, Higashi-Ojima 2019 “Vapor under the city” Sukiyuwa, Nishi-Ogikubo 2018 “Drone’s eye (half a person)” tagboat, Ningyocho 2018 “The Field and Daylight 2.0” Art Space Rashinban, Kyobashi 2017 “The Field and Daylight” montanO-librO, Nishifunabashi 2017 “The Field and Daylight” Galleria Aoneko, Nishi-Ogikubo Group exhibitions 2026 “Homage to Ei-Q 2026「A Changing World and the Creation of New Values — Rethinking the Visible」Vol.1” STAND COFFEE KOTOKOTO gallery-B, Saitama 2025 “「as if」 – 12 artists express music” Sukiyuwa, Nishi-Ogikubo 2025 “Joint Exhibition of the Painting Department (Japanese Painting / Oil Painting / Printmaking), Tama Art University「Tamabi Beyond, at the 90th Anniversary」” Tama Art University, Hachioji 2025 “UNLABELED” Art Liberation Zone, Ningyocho 2025 “ The 20th Anniversary ‘LOOP HOLE Expo. 2025’ / LOOP HOLE Pavilion” Fuchu Art Museum, Fuchu 2023 “Sourai” Sukiyuwa, Nishi-Ogikubo Residence 2022 Minato Media Museum 2022 Award 2024 Selected, Idemitsu Art Award 2024 2024 Wakato Onishi Award, KAMIYAMA ART Quadriennale 2024 Chairman’s Award, 59th Kanagawa Art Exhibition (Painting & Sculpture Division) 2018 Sukiw a Prize, Gallery e Ikō 2018 2018 TAGBOAT Award, Independent Tokyo 2018 2018 Selected, 13th Daikokuya Contemporary Art Open Call Exhibition 2017 Selected, Kanaya Art Museum Competition 2017 2014 Encouragement Prize, Yume-bi Biennale Selected Works Exhibition
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