Polymerization #4
Year: 2025
Material/Technique: Acrylic, Cotton
Size: 27.3 × 22 × 1.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 450
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Cotton
- Size
- 27.3 × 22 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- HORIGUCHI Shingo
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Japanese Painting / Japanese Style, Geometry, Digital, Conceptual
Work Details
I seek to translate into painting the mechanism by which the human eyes perceive space. In particular, I am interested in how binocular vision—seeing with two eyes—shapes our visual experience. I believe that this question is embedded in early modern painting, such as in the work of Cézanne and Analytical Cubism. While referencing these precedents, I explore my own process of incorporating the complexity of binocular vision into painting.
Installation view of the solo exhibition “Polymerization”
The title Polymerization is a term from chemistry referring to the process in which numerous molecules bond together to form a large, network-like structure. In this series, multiple distinct images are interwoven and combined within what appears to be a single painting. By merging several images into one pictorial field, I attempt to visualize the process by which the images perceived by the left and right eyes are synthesized within the mind.
Framing Information
The listed price includes a temporary frame.
The price without a frame is JPY 66,000 (tax included).
View in a Room
How to Buy
This artwork is available for purchase.
USD 450
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
There is a slight discrepancy between what the right and left eyes perceive. People see the world by continuously synthesizing these two fields of vision in the mind. I attempt to reconstruct this perceptual instability through the structure of painting. To render a perception that is constantly in flux is to engage in creating something that cannot be fully completed from the outset. I call this attitude—both in making paintings and in understanding art as it has been practiced—“Binocularism,” and I identify myself with it.
Born in 1993, Kyoto, Japan
2016 B.F.A., Department of Japanese Painting, Tama Art University
2018 M.F.A., Japanese Painting Course, Tama Art University Graduate School
~2022 Assistant, Japanese Painting Studio, Tama Art University
