Self-care eggplant

Year: 2025

Material/Technique: Silk Screen, Acrylic, Paper, Panel

Size: 30 × 42 cm

Edition: Unique

Signed:Included

This artwork is available for purchase.

USD 348

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Self-care eggplant

About the Work

Year
2025
Material/Technique
Silk Screen, Acrylic, Paper, Panel
Size
30 × 42 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Included
Distributor of artworks
Yamada Sayo
Ship-from Area
Not Set
Days Until Dispatch
Not Set
Category
Painting

Work Details

Concept and production intention of the work

The composition is decided by quoting from the drawing and reconstructing it.

After randomly constructing a background with silkscreen, I wrote it in hand color, and created the screen by fusing serendipitous expression and direct drawing.

I have a very cute impression of the roundness of eggplants.

Eggplants heal themselves.

A person who looks at such a situation with a harsh eye is like a boss at work.

Despite the importance of self-care, it uniquely expresses modern society where it is difficult to take a break.

How to Buy

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This artwork is available for purchase.

USD 348

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Yamada Sayo
✔︎

Yamada Sayo graduated from Osaka University of Arts Junior College in 2019. Using silkscreen and monotype techniques, layers of paint and prints are superimposed by hand coloring. The production process emphasizes chance due to manual work, and expresses the moment when the calculated version and free coloring intersect. Major solo exhibitions include “Mont Bang” (gekilin. , Osaka, 2024), “PLAY HOUSE” (gekilin. , Osaka, 2023), etc. Participated in “ART FAIR ASIA FUKUOKA 2025,” “OSAKA ART MARKET 2024,” etc. By making full use of silkscreen and monotyping techniques, they pursue expressions where layers of paint and prints are superimposed by hand coloring, relying on serendipity. Manuscripts made by scanning drawings that have been written down on a daily basis reflect dirt etc. that have come out at that time as they are. By incorporating it into the plate, a harmony of static lines and dynamic colors is created. In this process, chance due to manual work is valued, and the moment when the calculated version and free coloring intersect are expressed. By combining precise silkscreen shapes with the one-off impression unique to monotypes, works are created that make you feel visual rhythm and layers. The edition is a kind of copy paste, This is a major appeal that tells you the best because it can be printed over and over again. An indirect expression that gives you the opportunity to think over and over again by creating and layering versions. The multiplicity of editions is also important by using the same edition for completely different works. Many of the drawings I write down on a daily basis are like small parts that mix motifs obtained from life with the author's desired life. It is a process of looking at a corner of consciousness over and over again by focusing on a corner of a notebook or a corner of consciousness where you cannot calm down unless you move your hands to complete the work. Our lives, sorrows, joys, and even letters will surely be the subject of research in the far, far future. I am making works that will be the subject of research.

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Last updated date
02.09.2026
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