Quality of Light - Twilight Beyond Time #02

Year: 2025

Material/Technique: Acrylic, Panel, Canvas

Size: 162 × 112 × 3.3 cm

Edition: Unique

Signed:Not Set

This artwork is available for purchase.

USD 5,414

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02

About the Work

Year
2025
Material/Technique
Acrylic, Panel, Canvas
Size
162 × 112 × 3.3 cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
SHIMIZU Mikan
Ship-from Area
Miyagi Prefecture
Days Until Dispatch
Not Set
Category
Painting
Style
Half Abstraction, Fantasy, Quiet

Work Details

"Quality of Light - Twilight Beyond Time"


The artwork expresses the "Quality of Light" inspired by twilight scenes.


I am often captivated by twilight scenes that make me lose track of time itself. During these moments, as diverse hues spread across the sky and light transforms continuously, vegetation seems to dissolve into the light itself. The internal form of objects progressively becomes ambiguous, transforming like silhouettes. What's fascinating, however, is that the outlines that remain until the end give me a definite intuition of "that's a flower" or "that's a bird," hinting at their original meanings. This phenomenon seems to raise questions about how humans perceive and comprehend existence.


From the perspectives of neuroscience and philosophy, I believe humans’ perception of the world is constructed from three elements: "qualia," "cognitive processes," and "linguistic categorisation." I have focused on the multi-layered structure of perception, considering how these elements overlap like "layers" to form humans’ perceived world.


In my artistic approach, I interpret "the outlines of objects" as symbols of "boundaries created by linguistic categorisation," and use contrasts between the ambiguous texture inside motifs and the outlines that remain in my consciousness.

For my technique, I create highly transparent layered structures by combining interference pigments, mica, and small glass beads with acrylic medium. These compositions incorporate light reflections, chromatic shifts, and spontaneous textures, allowing the artwork to present different appearances depending on the viewer's perspective and changes in environmental light.
This approach reflects how humans’ perceptual world exists as various overlapping meanings (layers), simultaneously containing contradictory impressions. Within this, what exactly are we focusing on and discovering? Through the shifting qualities of light, I hope we can recognize and appreciate the diverse meanings in existence around us.

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Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02
Quality of Light - Twilight Beyond Time #02

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This artwork is available for purchase.

USD 5,414

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

SHIMIZU Mikan
✔︎

2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design

I was fascinated by the “moment you lose sight of time” hidden in the light at dusk, and created with the theme of “texture of light.” Under the evening sky, which has different colors every day, the ever-changing light blurs the interior while leaving the outline of things, and questions how to capture existence.
It focuses on the multi-layer structure of recognition from a brain science/philosophical point of view, and captures “contours” as “symbols of linguistic boundaries.” Highly transparent layers mixed with mica and polarizing pigments are layered over and over to construct a screen that changes according to viewing time and point of view due to resonance with the light in the exhibition space. This transformation of light creates a contrast between the ambiguous appearance inside the motif and the clear outline, and presents various ways of seeing hidden in one world.

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研究および活動費として、大切に充てさせて頂きます。
いつも皆様からのご感想、ご支援、ほんとうに励みになっております。ありがとうございます!

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Last updated date
07.21.2026
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