Melting - To the Sky #01

Year: 2024

Material/Technique: Acrylic, Panel, Canvas

Size: 116.7 × 80.3 × 3.5 cm

Edition: Unique

Signed:Not Set

This artwork is available for purchase.

USD 2,707

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01

About the Work

Year
2024
Material/Technique
Acrylic, Panel, Canvas
Size
116.7 × 80.3 × 3.5 cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
SHIMIZU Mikan
Ship-from Area
Miyagi Prefecture
Days Until Dispatch
Not Set
Category
Painting
Style
Half Abstraction, Fantasy, Quiet

Work Details

When the sun sets quietly. Light is flowing through the gaps between the flowers.

The scenery seems to melt into the distant sky and lead to a different world.

View in a Room

Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01
Melting - To the Sky #01

How to Buy

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This artwork is available for purchase.

USD 2,707

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Purchase
1 Favorites
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SHIMIZU Mikan
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Artist

SHIMIZU Mikan
✔︎

2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design

I was fascinated by the “moment you lose sight of time” hidden in the light at dusk, and created with the theme of “texture of light.” Under the evening sky, which has different colors every day, the ever-changing light blurs the interior while leaving the outline of things, and questions how to capture existence.
It focuses on the multi-layer structure of recognition from a brain science/philosophical point of view, and captures “contours” as “symbols of linguistic boundaries.” Highly transparent layers mixed with mica and polarizing pigments are layered over and over to construct a screen that changes according to viewing time and point of view due to resonance with the light in the exhibition space. This transformation of light creates a contrast between the ambiguous appearance inside the motif and the clear outline, and presents various ways of seeing hidden in one world.

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研究および活動費として、大切に充てさせて頂きます。
いつも皆様からのご感想、ご支援、ほんとうに励みになっております。ありがとうございます!

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Last updated date
07.21.2026
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