Light's Presence - Flower at Twilight #02
Year: 2025
Material/Technique: Acrylic, Panel, Canvas
Size: 162 × 97 × 3.3 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 5,414
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Panel, Canvas
- Size
- 162 × 97 × 3.3 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- SHIMIZU Mikan
- Ship-from Area
- Miyagi Prefecture
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Half Abstraction, Fantasy, Quiet, Abstract
Work Details
This work expresses “the texture of “light” in polysemic phenomena, using scenes at dusk and early morning as motifs.
The object that is reflected in front of you exists so many times that conflicting meanings can also be created. Where do we focus our attention and what do we find in it? The recognition object does not appear from one point of view; it appears in a different form. When I captured multiple impressions, I thought they could expand the allowable range of beings and events to be faced.
They are interested in “the fact that one recognition object can be transformed into multiple impressions,” and they capture it along with unclear visual elements such as “reflection of light,” “transparent layers,” and “mixed colors.”
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How to Buy
This artwork is available for purchase.
USD 5,414
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
2025 MFA, Paintings field, Speciality in Culture and the Arts, Tohoku University of Art & Design
I was fascinated by the “moment you lose sight of time” hidden in the light at dusk, and created with the theme of “texture of light.” Under the evening sky, which has different colors every day, the ever-changing light blurs the interior while leaving the outline of things, and questions how to capture existence.
It focuses on the multi-layer structure of recognition from a brain science/philosophical point of view, and captures “contours” as “symbols of linguistic boundaries.” Highly transparent layers mixed with mica and polarizing pigments are layered over and over to construct a screen that changes according to viewing time and point of view due to resonance with the light in the exhibition space. This transformation of light creates a contrast between the ambiguous appearance inside the motif and the clear outline, and presents various ways of seeing hidden in one world.
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