Pīpī-chan Workshop
Year: 2025
Material/Technique: Mixed Media
Size: サイズ可変
Edition: Not Set
Signed:Not Set
About the Work
- Year
- 2025
- Material/Technique
- Mixed Media
- Size
- サイズ可変
- Edition
- Not Set
- Signed
- Not Set
- Credits
- 武蔵野ARTHIKE 主催：武蔵野ART HIKEプロジェクト推進委員会 ※本実行委員会は、所沢市、早稲田大学人間科学学術院、西武鉄道株式会社、株式会社KADOKAWAが参画する委員会です。
- Frame
- Not Set
- Work Certificate
- Not Set
- Category
- Painting
- Style
- Half Abstraction
Work Details
A chicken happened to appear in a photo I took by chance, and since then I’ve found myself thinking about birds. In the photograph, the chicken peeks out from a hedge and looks straight at me. I also can’t get the sound of a pigeon chick chirping “pīpī” out of my head. When I look at Sagiyama, I feel drawn to the idea of entering bird society—but unless I can fly, I can’t truly meet them, and they remain wary of me. If the Pīpī-chans were to hold a workshop, perhaps the topic wouldn’t even be about speaking yet, but about something that comes before words: trying to live while breathing.
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Artist
Painter
M.F.A., Tokyo University of the Arts, Tokyo Recipient of the 38th HOLBEIN Scholarship and Metro Cultural Foundation Award 2024, among others. 🐆>* ))> Selected Exhibitions / Awards 2025 – 38th HOLBEIN Scholarship Recipient – Selected Artist, Gunma Youth Biennale 2025 – Participant, Musashino ARTHIKE – 5 Khrueang Prung (Art4c, Thailand) – Tomodachi (Art4c, Thailand) 2024 – Metro Cultural Foundation Award – Excellence Award, ARTS OF FASHION COMPETITION “modelab” by ZOZOTOWN × Tokyo University of the Arts (Textile Arts) – ครั้งที่ 2 ตอน “สงวนไว้…ไม่ให้สูญ” (Huai Kha Khaeng Museum / Thung Faek Forest Protection Unit, Huai Kha Khaeng Wildlife Sanctuary, Uthai Thani, Thailand) 2023 – TARA JAMBIO ART PROJECT Exhibition (Awashima Marine Museum) – Tokyo University of the Arts × ecute Ueno Collaborative Live Painting (Ueno Station, Live Painting Artist) 2022 – Danger Within Beauty / Disaster Prevention Paintings and New Luminous Creatures (PSG Gallery, Thailand, as part of KIN team) 2021 – Experiential Symposium: Rethinking Art Infrastructure in Times of Disaster (Contemporary Art Museum Kumamoto, Graphic Recording)
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