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Year: 2026
Material/Technique: Acrylic, Canvas
Size: 33.3 × 24.2 × 1.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Acrylic, Canvas
- Size
- 33.3 × 24.2 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- Yukari KATAOKA
- Ship-from Area
- Osaka Prefecture
- Days Until Dispatch
- About a Week
- Category
- Painting
- Style
- Abstract, Half Abstraction
Work Details
Whoa whoa whoa, whoa.
Listen closely to your own heartbeat in your breathing.
While breathing is constantly repeated, it sets a different rhythm every moment.
Sounds made in the chest or a faint sensation born deep within the body. The signs of life within oneself that you notice for the first time by focusing on it.
This invisible feeling is expressed by overlapping colors, lines, and shapes.
Egg poem
Whoa whoa whoa, whoa.
I'll do it in my heart.
Hey, can't you hear me?
Whoa whoa whoa, whoa.
I can hear it.
Today too.
tomorrow too.
The day after tomorrow too.
View in a Room
How to Buy
This artwork is available for purchase.
USD NaN
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artists
Kataoka Yukari (Yukari KATAOKA)Born in 1982 in Hiroshima. He learned calligraphy from age 4, and has been familiar with expressions created by brush movements, rhythms, and body movements since childhood.Since then, she has been involved in milestones in people's lives as a wedding planner, and has explored relationships between body, movement, material, form, and function as a women's shoe designer. Experiences in different fields have led to a deepening interest in people's bodies, senses, and visible and invisible things.In 2012, he began drawing with pencils and drawing freehand. Starting from the intuitive act of drawing a line, my interest gradually expanded to the relationship between body movement and breathing, and the senses created there and time. I will start full-scale painting production in 2024.Currently, I mainly use colors and lines, and I create works on the theme of traces left by breathing.Breathing has a different rhythm every moment, even though it is constantly repeated. With shallow breathing and deep breathing, the world that can be felt through the body is different, even when standing in the same place. In production, we focus on our own breathing and body movements, and replace the sensation that occurs at that moment with color, brushstrokes, and the density of the screen.There, coincidences born unexpectedly intersect with choices based on one's own will. By focusing on breathing in silence and superimposing minute changes that occur through the body on a screen, they are searching for traces of existence invisible to the eye.I think painting is also an act of confirming the time one is living. Existence is not fixed; it is constantly changing. I'm trying to scoop up the signs, margins, and faint sensations that appear in the midst of that transition and keep them on the screen.While putting the desire to touch something that cannot yet be named in words at the root of the production, I hope that throughout the work, the breathing and signs that certainly existed at that moment will quietly resonate with the memories and senses of each viewer.
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私の夢は、小さなアトリエ兼ギャラリー「ARTIST LABORATORY(アーティストの実験室)」をつくることです。
まずは自分自身が一人のアーティストとして制作や展示に挑戦し、その経験を重ねながら、同じように表現に挑戦したい人たちとつながれる場所をつくりたいと思っています。
将来は、空き家や使われなくなった場所を再生し、作家も地域の人も対等に関わり、経験や感性、エネルギーが循環する場所へと育てていきたいです。
いただいたご支援は、作品制作や展示活動、そして小さな活動拠点づくりに大切に活用させていただきます。
まだ小さな一歩ですが、この夢を一緒に育てていただけたら嬉しいです。応援よろしくお願いいたします!