Voyager’s Skylight
Year: 2025
Material/Technique: Rocky Paint, Foil, Japanese Paper, Brass, Linen, Pigment, Mixed Media, Panel
Size: 45.5 × 33.3 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 1,015
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Rocky Paint, Foil, Japanese Paper, Brass, Linen, Pigment, Mixed Media, Panel
- Size
- 45.5 × 33.3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Nishizawa Naomi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 4-7 Days
- Category
- Painting
- Style
- Abstract, Fantasy, Japanese Painting / Japanese Style
Work Details
The traveler looks up from the cabin's skylight.
Soon it will be time to change trains at Obosei.
Through the cabin skylight, the Voyager gazes visited.
Soon, it will be time to change ships at the mist-veiled star.
— — — — — — —
I'm imagining the outside scene seen from the skylight of a small ship traveling through space. Inside the screen, you can find part of a straight window frame drawn in pure gold.
I listened to “Englishman in New York” and drew it.
I would be happy if I could depict the loneliness, anxiety, and a little bit of anticipation when landing on the next star from an unreliable spaceship.
It seems that the destination is “Oborozuki (Oborozuki).”
material
Foil stamping paper (aluminum), oil-based alkyd resin, Japanese paper, mineral pigments, brass foil, copper foil, pure gold clay
material
Aluminum Leaf (Mounted on Paper), Oil-based Alkyd Resin Paint, Brass Leaf, Copper Leaf, Rock Color, Hemp Paper, Gold Powder
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How to Buy
This artwork is available for purchase.
USD 1,015
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Contemporary Japanese-Style Painting
Naomi Nishizawa creates “The Tale of the Second Moon,” a narrative born from her unique imagination.
She is a contemporary artist celebrated for her radiant and intricate compositions employing gold and metallic leaf. Rooted in the traditions of Japanese painting, she fuses diverse materials such as handmade washi paper, oil-based resin, and phosphorescent pigments to create a singular visual world.
Within her semi-abstract works, quiet imagined scenes are gently interwoven. These softly spun visions evoke moments from fairy tales and mythology, inviting viewers into a poetic narrative realm. Shimmering, reflective, and glowing materials function not only as decorative elements but also as gateways to dreamlike, multilayered worlds.
Since 2019, Nishizawa has exhibited in Japan and internationally, including Paris, Hong Kong, Singapore, and Jakarta, steadily expanding her global recognition and acclaim. She was born in Tokyo, where she lives and works.
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