Diffusion Model
Year: 2025
Material/Technique: Acrylic, Canvas
Size: 130.3 × 162 × 3 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Canvas
- Size
- 130.3 × 162 × 3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- tsumichara
- Ship-from Area
- Fukuoka Prefecture
- Days Until Dispatch
- 会期終了後、1週間以内
- Category
- Painting
- Style
- Conceptual, Abstract, Geometry
Work Details
This painting visualizes the process of a Diffusion Model, from entering a prompt to the generation of an image. As the scene progresses from left to right, noise is gradually removed, and the image takes on increasingly meaningful form. At the center, a circular motif represents the state of “in progress” — a loading circle, the familiar spinning icon shown while something is being generated.
The composition is inspired by Tōhaku Hasegawa’s Pine Trees Folding Screens, reinterpreting the guided flow of the viewer’s gaze as distortions of pixels. The traditional Japanese concept of ma (the interval, or space between things) is here layered onto the mechanism of generative AI and reimagined in a contemporary context.
Just as Pine Trees Folding Screens is composed as a pair, this work is also presented together with its counterpart, “GAN”, which depicts another generative model.
Composition of the work
These paintings are about Ma (間). Ma is a Japanese sense of both time and space — often understood as a meaningful pause or an empty gap. Traditionally, Ma can be seen in art such as Hasegawa Tōhaku’s Pine Trees Screens, where the empty is not nothing but a meaningful presence.
Today, Ma can be found in the process of image generation by AI. For example, when we see “Loading” or “Creating,” it is the time when we are waiting for calculation. The “loading” or “creating” screen may look like wasted time. But in Japanese culture, people have found rich meaning and beauty in such empty intervals. This work reinterprets that sensibility for the digital age.
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This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist
Use digital media and technology to create works that move people's hearts. It focuses on various concepts such as human senses, social issues, the times, and relationships with nature. Centering on expression as a painter, the breadth of expression is not limited to painting, such as site-specific murals and street installations. In recent years, art projects have also been directed in collaboration with hotels, public facilities, and companies in order to have a social impact on works.artist. Born in Aichi in 1983, lives in Fukuoka. I majored in mathematics at university and business administration at graduate school. After working for a consulting firm, I started a business. The company that was founded has been in operation for 6 years, and sales have grown to hundreds of millions of yen with an overall surplus. In 2021, the creation of a business model and organizational structure was completed, and it was taken over by the new management team. Shares were sold and he retired as representative director.Artist activities began around 2019, in addition to management, and began in earnest in 2021. Use digital media and technology to create works that move people's hearts. It focuses on various concepts such as human senses, social issues, the times, and relationships with nature. Centering on expression as a painter, the breadth of expression is not limited to painting, such as site-specific murals and street installations. In recent years, art projects have also been directed in collaboration with hotels, public facilities, and companies in order to have a social impact on works. Major projects include “Everyone's Space ~We Are What We Do~” (Ehime/2023-2024), “BANANA X” (nationwide/2022 - ongoing), “AONAGI 1st” (Setouchi Retreat Aonagi/Ehime/2023), and “Wind Project” (Okinawa - Ehime - Tokyo/ 2022 - ongoing). The main awards include “1st AI ART Meets Art Fair” (KOBE ART MARCHÉ/ 2026), “Fukuoka Wall Art Project Excellence Award” (Fukuoka Wall Art Project/2026), “WATOWA ART AWARD Selected” (WATOWA GALLERY/ WATOWA INC./2023), and “QUICK QUICK There are “Data Design Challenge Selected” (QUICK Co., Ltd. /2023), “SHIBUYA PIXEL ART Excellence Award” (Shibuya Pixel Art/2021), etc.
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